1.0Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journalhttps://kyotographie-2025.kyotojournal.org/jadavid-emrichhttps://kyotographie-2025.kyotojournal.org/ja/author/david-emrich/rich600338<blockquote class="wp-embedded-content" data-secret="tvK5fzh5OF"><a href="https://kyotographie-2025.kyotojournal.org/ja/miksang/">Miksang</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://kyotographie-2025.kyotojournal.org/ja/miksang/embed/#?secret=tvK5fzh5OF" width="600" height="338" title="“Miksang” — Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal" data-secret="tvK5fzh5OF" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://kyotographie-2025.kyotojournal.org/wp-includes/js/wp-embed.min.js /* ]]> */ </script>https://kyotographie-2025.kyotojournal.org/wp-content/uploads/2025/04/blue-eye.webp20001315HEIAN SHRINE • OKAZAKI PARK • TENJU-AN The oldest surviving photograph, the view from his chateau window captured by the French inventor, Nicéphore Niépce, two centuries ago, is a far remove from the increasingly constructed or manipulated depictions we see today. Seeking to illustrate, sell, and inform, photography has come to exert an ever-stronger influence on how we see the world, and ourselves. Based on Buddhist analysis of perception, Miksang contemplative photography was founded by Michael Wood and Julie Dubose nearly 40 years ago as an approach to seeing that flies in the face of standard conceptions of photography. It foregoes all agendas, constructs, and goals, instead focusing on seeing, […]