{"version":"1.0","provider_name":"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","provider_url":"https:\/\/kyotographie-2025.kyotojournal.org\/ja","author_name":"david-emrich","author_url":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/author\/david-emrich\/","title":"A short history of Kyoto - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"GvfkNFzVfX\"><a href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/a-short-history-of-kyoto\/\">\u4eac\u90fd\u5c0f\u53f2<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/a-short-history-of-kyoto\/embed\/#?secret=GvfkNFzVfX\" width=\"600\" height=\"338\" title=\"&#8220;A short history of Kyoto&#8221; &#8212; Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" data-secret=\"GvfkNFzVfX\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/kyotographie-2025.kyotojournal.org\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>","thumbnail_url":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/Kyoto-Journal-Cover_70.webp","thumbnail_width":568,"thumbnail_height":800,"description":"Captured over several months at various locations in Kyoto, Tomas Svab\u2019s eightpage \u2018scroll\u2019 for the cover of KJ 70, Kyoto Lives, is a collage that presents of the city\u2019s urban landscape, including centuries-old Buddhist temples to convenience stores and contemporary art installations. Made from hundreds of photographs, the composition juxtaposes various elements that define Kyoto\u2019s unique and rich character, and highlights the architectural diversity of a city both deeply rooted in history and fully engaged with the present. Each building in the collage is composed of between 12 and 20 photographs, layering multiple perspectives and moments in time. Without a singular photographic viewpoint, sidewalks for instance, converge at different points [&hellip;]"}