{"version":"1.0","provider_name":"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","provider_url":"https:\/\/kyotographie-2025.kyotojournal.org\/ja","author_name":"david-emrich","author_url":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/author\/david-emrich\/","title":"Chasing the dragon - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"reEIP3PlG4\"><a href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/chasing-the-dragon\/\">\u30c1\u30a7\u30a4\u30b7\u30f3\u30b0\u30fb\u30b6\u30fb\u30c9\u30e9\u30b4\u30f3<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/chasing-the-dragon\/embed\/#?secret=reEIP3PlG4\" width=\"600\" height=\"338\" title=\"&#8220;Chasing the dragon&#8221; &#8212; Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" data-secret=\"reEIP3PlG4\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/kyotographie-2025.kyotojournal.org\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>","thumbnail_url":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/corey.webp","thumbnail_width":2000,"thumbnail_height":814,"description":"Boulder-based photographer William Corey visited Kyoto almost every year between 1974 and 2007, making over 600 color negatives of the city\u2019s classic gardens. He worked with a refurbished Korona 8\u201dx20\u201d view camera. This heavy and cumbersome tool was used in the early 1900s to photograph large groups at banquets, but Corey found it ideal to capture the panoramic sweep of the gardens.&nbsp;&nbsp; A view camera provides the photographer with exceptional nuance and flexibility; a skilled operator can adjust the perspective, on both vertical and horizontal axes, as well as the plane of focus, allowing perfect sharpness in the foreground and background. Corey was painstaking in his approach. He would visit [&hellip;]"}