{"version":"1.0","provider_name":"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","provider_url":"https:\/\/kyotographie-2025.kyotojournal.org\/ja","author_name":"david-emrich","author_url":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/author\/david-emrich\/","title":"Time - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"BBGKQtWK13\"><a href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/time\/\">\u6642\u9593<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/time\/embed\/#?secret=BBGKQtWK13\" width=\"600\" height=\"338\" title=\"&#8220;Time&#8221; &#8212; Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" data-secret=\"BBGKQtWK13\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/kyotographie-2025.kyotojournal.org\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>","thumbnail_url":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/Kyoto-Journal-Cover_42MED.webp","thumbnail_width":1484,"thumbnail_height":2000,"description":"The Lick Observatory, built atop Mt. Hamilton in California in the 19th century, sent seventeen expeditions around the world to photograph eclipses between 1889 and 1932.\u00a0 One expedition to the Los Bronces Mine in Chile captured the total eclipse of the sun on April 16th, 1893 on an 8\u201d x 10\u201d glass plate negative, beautifully rendering the solar corona. The plate was archived and forgotten until the photographer Linda Connor found it in a box in a dusty corner of the observatory around 1997.\u00a0 She made a contact print from the plate and toned it with gold chloride for permanence. Some of her prints of the 1893 eclipse are now [&hellip;]"}