{"id":113,"date":"2025-03-31T08:27:26","date_gmt":"2025-03-31T08:27:26","guid":{"rendered":"https:\/\/kyotographie-2025.kyotojournal.org\/?p=113"},"modified":"2025-04-15T06:17:08","modified_gmt":"2025-04-15T06:17:08","slug":"nishikawa-senrei-nihonbuyo-dancer","status":"publish","type":"post","link":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/nishikawa-senrei-nihonbuyo-dancer\/","title":{"rendered":"\u300c\u897f\u5ddd \u5343\u9e97\u3001\u65e5\u672c\u821e\u8e0a\u5bb6\u300d"},"content":{"rendered":"

 \u30a4\u30f3\u30bf\u30d3\u30e5\u30a2\u30fc\uff1a\u30b8\u30e7\u30ca\u30fb\u30b6\u30eb\u30c4<\/strong><\/p>\n\n\n

\n

You have to tear down the old completely sometimes to build the new in the spirit of the old<\/p>\n\n<\/div>\n\n\n

\u6545\u897f\u5ddd \u5343\u9e97\u3001\u897f\u5ddd\u6d41\u306e\u4f1d\u7d71\u821e\u8e0a\u5bb6\u306f\u3001\u305d\u306e\u30d1\u30d5\u30a9\u30fc\u30de\u30f3\u30b9\u3001\u5275\u4f5c\u7684\u4f5c\u54c1\u3001\u65e5\u672c\u30fb\u6d77\u5916\u4e21\u65b9\u306e\u5b66\u751f\u3092\u53d7\u3051\u5165\u308c\u3066\u3044\u308b\u821e\u8e0a\u6559\u5ba4\u3092\u901a\u3057\u3066\u3001\u65e5\u672c\u3068\u30e8\u30fc\u30ed\u30c3\u30d1\u306e\u82b8\u8853\u3068\u4f1d\u8aac\u3092\u5bb9\u308c\u305f\u6298\u8877\u7684\u306a\u611f\u6027\u3092\u793a\u3057\u305f\u3002\u30dd\u30fc\u30e9\u30f3\u30c9\u306b\u3066\u3001\u30ca\u30c1\u30b9\u30fb\u30c9\u30a4\u30c4\u306b\u3088\u3063\u3066\u7834\u58ca\u3055\u308c\u305f\u8857\u304c\u5b8c\u74a7\u306a\u307e\u3067\u306b\u518d\u5efa\u3055\u308c\u305f\u59ff\u3092\u898b\u3066\u3001\u5f7c\u5973\u306f\u300c\u53e4\u304d\u7269\u306e\u5668\u306e\u4e2d\u306b\u3001\u65b0\u3057\u3044\u3082\u306e\u3092\u751f\u307f\u51fa\u3059\u3068\u304d\u3001\u6642\u306b\u306f\u305d\u306e\u53e4\u304d\u7269\u3092\u5b8c\u5168\u306b\u7834\u58ca\u3059\u308b\u3053\u3068\u3082\u5fc5\u8981\u306b\u306a\u308b\u300d\u3068\u8a9e\u3063\u305f\u3002<\/p>","protected":false},"excerpt":{"rendered":"

 Interview by Jonah Salz The late Nishikawa Senrei, a practitioner of Japanese classical dance of the Nishikawa School, in her performances, her creative work, and her dance classes for both Japanese and international students, demonstrated an eclectic sensibility that embraced both Japanese and European art and myth. Observing how in Poland, cities destroyed by the Nazis were recreated in perfect detail, she stated, \u201cyou have to tear down the old completely sometimes to build the new in the spirit of the old.\u201d<\/p>","protected":false},"author":1,"featured_media":114,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-113","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kyotography-sharing-visions"],"acf":[],"yoast_head":"\nNishikawa Senrei, Nihonbuyo Dancer. - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/nishikawa-senrei-nihonbuyo-dancer\/\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nishikawa Senrei, Nihonbuyo Dancer. - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" \/>\n<meta property=\"og:description\" content=\" Interview by Jonah Salz The late Nishikawa Senrei, a practitioner of Japanese classical dance of the Nishikawa School, in her performances, her creative work, and her dance classes for both Japanese and international students, demonstrated an eclectic sensibility that embraced both Japanese and European art and myth. Observing how in Poland, cities destroyed by the Nazis were recreated in perfect detail, she stated, \u201cyou have to tear down the old completely sometimes to build the new in the spirit of the old.\u201d\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/nishikawa-senrei-nihonbuyo-dancer\/\" \/>\n<meta property=\"og:site_name\" content=\"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/kyoto.journal\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-03-31T08:27:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-15T06:17:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/NISHIKAWA-SENREI.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1397\" \/>\n\t<meta property=\"og:image:height\" content=\"2000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"david-emrich\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u57f7\u7b46\u8005\" \/>\n\t<meta name=\"twitter:data1\" content=\"david-emrich\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u63a8\u5b9a\u8aad\u307f\u53d6\u308a\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"1\u5206\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/nishikawa-senrei-nihonbuyo-dancer\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/nishikawa-senrei-nihonbuyo-dancer\\\/\"},\"author\":{\"name\":\"david-emrich\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#\\\/schema\\\/person\\\/c5eb590b8e37c47e9789cd18974c0571\"},\"headline\":\"Nishikawa Senrei, Nihonbuyo Dancer.\",\"datePublished\":\"2025-03-31T08:27:26+00:00\",\"dateModified\":\"2025-04-15T06:17:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/nishikawa-senrei-nihonbuyo-dancer\\\/\"},\"wordCount\":87,\"publisher\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/nishikawa-senrei-nihonbuyo-dancer\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/NISHIKAWA-SENREI.webp\",\"articleSection\":[\"Kyotography - Sharing Visions\"],\"inLanguage\":\"ja\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/nishikawa-senrei-nihonbuyo-dancer\\\/\",\"url\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/nishikawa-senrei-nihonbuyo-dancer\\\/\",\"name\":\"Nishikawa Senrei, Nihonbuyo Dancer. - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/nishikawa-senrei-nihonbuyo-dancer\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/nishikawa-senrei-nihonbuyo-dancer\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/NISHIKAWA-SENREI.webp\",\"datePublished\":\"2025-03-31T08:27:26+00:00\",\"dateModified\":\"2025-04-15T06:17:08+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/nishikawa-senrei-nihonbuyo-dancer\\\/#breadcrumb\"},\"inLanguage\":\"ja\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/nishikawa-senrei-nihonbuyo-dancer\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ja\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/nishikawa-senrei-nihonbuyo-dancer\\\/#primaryimage\",\"url\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/NISHIKAWA-SENREI.webp\",\"contentUrl\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/NISHIKAWA-SENREI.webp\",\"width\":1397,\"height\":2000},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/nishikawa-senrei-nihonbuyo-dancer\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Nishikawa Senrei, Nihonbuyo Dancer.\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#website\",\"url\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/\",\"name\":\"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"ja\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#organization\",\"name\":\"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\",\"url\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ja\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/KJ-logo-black.png\",\"contentUrl\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/KJ-logo-black.png\",\"width\":600,\"height\":191,\"caption\":\"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\"},\"image\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/kyoto.journal\\\/\",\"https:\\\/\\\/www.instagram.com\\\/kyoto__journal\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#\\\/schema\\\/person\\\/c5eb590b8e37c47e9789cd18974c0571\",\"name\":\"david-emrich\",\"sameAs\":[\"http:\\\/\\\/kyotographie-2025.kyotojournal.org\"],\"url\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/ja\\\/author\\\/david-emrich\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Nishikawa Senrei, Nihonbuyo Dancer. - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/nishikawa-senrei-nihonbuyo-dancer\/","og_locale":"ja_JP","og_type":"article","og_title":"Nishikawa Senrei, Nihonbuyo Dancer. - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","og_description":" Interview by Jonah Salz The late Nishikawa Senrei, a practitioner of Japanese classical dance of the Nishikawa School, in her performances, her creative work, and her dance classes for both Japanese and international students, demonstrated an eclectic sensibility that embraced both Japanese and European art and myth. Observing how in Poland, cities destroyed by the Nazis were recreated in perfect detail, she stated, \u201cyou have to tear down the old completely sometimes to build the new in the spirit of the old.\u201d","og_url":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/nishikawa-senrei-nihonbuyo-dancer\/","og_site_name":"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","article_publisher":"https:\/\/www.facebook.com\/kyoto.journal\/","article_published_time":"2025-03-31T08:27:26+00:00","article_modified_time":"2025-04-15T06:17:08+00:00","og_image":[{"width":1397,"height":2000,"url":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/NISHIKAWA-SENREI.webp","type":"image\/webp"}],"author":"david-emrich","twitter_card":"summary_large_image","twitter_misc":{"\u57f7\u7b46\u8005":"david-emrich","\u63a8\u5b9a\u8aad\u307f\u53d6\u308a\u6642\u9593":"1\u5206"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/nishikawa-senrei-nihonbuyo-dancer\/#article","isPartOf":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/nishikawa-senrei-nihonbuyo-dancer\/"},"author":{"name":"david-emrich","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#\/schema\/person\/c5eb590b8e37c47e9789cd18974c0571"},"headline":"Nishikawa Senrei, Nihonbuyo Dancer.","datePublished":"2025-03-31T08:27:26+00:00","dateModified":"2025-04-15T06:17:08+00:00","mainEntityOfPage":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/nishikawa-senrei-nihonbuyo-dancer\/"},"wordCount":87,"publisher":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#organization"},"image":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/nishikawa-senrei-nihonbuyo-dancer\/#primaryimage"},"thumbnailUrl":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/NISHIKAWA-SENREI.webp","articleSection":["Kyotography - Sharing Visions"],"inLanguage":"ja"},{"@type":"WebPage","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/nishikawa-senrei-nihonbuyo-dancer\/","url":"https:\/\/kyotographie-2025.kyotojournal.org\/nishikawa-senrei-nihonbuyo-dancer\/","name":"Nishikawa Senrei, Nihonbuyo Dancer. - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","isPartOf":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/nishikawa-senrei-nihonbuyo-dancer\/#primaryimage"},"image":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/nishikawa-senrei-nihonbuyo-dancer\/#primaryimage"},"thumbnailUrl":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/NISHIKAWA-SENREI.webp","datePublished":"2025-03-31T08:27:26+00:00","dateModified":"2025-04-15T06:17:08+00:00","breadcrumb":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/nishikawa-senrei-nihonbuyo-dancer\/#breadcrumb"},"inLanguage":"ja","potentialAction":[{"@type":"ReadAction","target":["https:\/\/kyotographie-2025.kyotojournal.org\/nishikawa-senrei-nihonbuyo-dancer\/"]}]},{"@type":"ImageObject","inLanguage":"ja","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/nishikawa-senrei-nihonbuyo-dancer\/#primaryimage","url":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/NISHIKAWA-SENREI.webp","contentUrl":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/NISHIKAWA-SENREI.webp","width":1397,"height":2000},{"@type":"BreadcrumbList","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/nishikawa-senrei-nihonbuyo-dancer\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/kyotographie-2025.kyotojournal.org\/"},{"@type":"ListItem","position":2,"name":"Nishikawa Senrei, Nihonbuyo Dancer."}]},{"@type":"WebSite","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#website","url":"https:\/\/kyotographie-2025.kyotojournal.org\/","name":"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","description":"","publisher":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/kyotographie-2025.kyotojournal.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"ja"},{"@type":"Organization","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#organization","name":"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","url":"https:\/\/kyotographie-2025.kyotojournal.org\/","logo":{"@type":"ImageObject","inLanguage":"ja","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#\/schema\/logo\/image\/","url":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/05\/KJ-logo-black.png","contentUrl":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/05\/KJ-logo-black.png","width":600,"height":191,"caption":"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal"},"image":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/kyoto.journal\/","https:\/\/www.instagram.com\/kyoto__journal\/"]},{"@type":"Person","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#\/schema\/person\/c5eb590b8e37c47e9789cd18974c0571","name":"david-emrich","sameAs":["http:\/\/kyotographie-2025.kyotojournal.org"],"url":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/author\/david-emrich\/"}]}},"_links":{"self":[{"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/posts\/113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/comments?post=113"}],"version-history":[{"count":4,"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/posts\/113\/revisions"}],"predecessor-version":[{"id":272,"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/posts\/113\/revisions\/272"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/media\/114"}],"wp:attachment":[{"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/media?parent=113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/categories?post=113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/tags?post=113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}