{"id":123,"date":"2025-03-31T08:50:21","date_gmt":"2025-03-31T08:50:21","guid":{"rendered":"https:\/\/kyotographie-2025.kyotojournal.org\/?p=123"},"modified":"2025-03-31T12:25:24","modified_gmt":"2025-03-31T12:25:24","slug":"the-death-and-resurrection-of-kyoto","status":"publish","type":"post","link":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/the-death-and-resurrection-of-kyoto\/","title":{"rendered":"\u4eac\u90fd\u306e\u6b7b\u3068\u8607\u751f"},"content":{"rendered":"<p><em>Kyoto Journal<\/em> 27\u53f7\u300c\u4eac\u90fd\u306e\u6b7b\u3068\u8607\u751f\u300d\u306f\u3001\u4eac\u90fd\u5e02\u305d\u306e\u3082\u306e\u3092\u30c6\u30fc\u30de\u306b\u3057\u305f2\u56de\u76ee\u306e\u53f7\u3067\u3042\u308b\u3002\u90fd\u5e02\u8a08\u753b\u3001\u6b74\u53f2\u7684\u4fdd\u5b58\u3001\u305d\u3057\u3066\u4eac\u90fd\u304c\u3069\u3046\u5909\u308f\u3063\u3066\u304d\u305f\u306e\u304b\u3092\u53d6\u308a\u4e0a\u3052\u3066\u3044\u308b\u3002\u307e\u305f\u3001\u8aad\u8005\u304b\u3089\u5bc4\u305b\u3089\u308c\u305f\u30a2\u30a4\u30c7\u30a2\u3092\u300c\u4eac\u90fd\u3092\u3088\u308a\u826f\u3044\u5834\u6240\u306b\u3059\u308b\u516d\u5341\u306e\u65b9\u6cd5\u300d\u3068\u3044\u3046\u30bb\u30af\u30b7\u30e7\u30f3\u306b\u307e\u3068\u3081\u3001\u65e5\u82f12\u30f6\u56fd\u8a9e\u3067\u63b2\u8f09\u3057\u3066\u3044\u308b\u3002\u8868\u7d19\u306f\u3001\u53e4\u3044\u4eac\u90fd\u304c\u7834\u58ca\u3055\u308c\u308b\u6709\u69d8\u3092\u8996\u899a\u7684\u306b\u8868\u3057\u3066\u3044\u308b\u3002\u5f53\u6642\u3001\u4eac\u90fd\u30db\u30c6\u30eb\u306f\u3001\u9ad8\u5c64\u30d3\u30eb\u5efa\u8a2d\u30e9\u30c3\u30b7\u30e5\u306e\u8c61\u5fb4\u3067\u3042\u308a\u3001\u4eac\u90fd\u306e\u4ee3\u540d\u8a5e\u3068\u306a\u3063\u305f\u3002\u4eac\u90fd\u30db\u30c6\u30eb\u306f\u5efa\u8a2d\u4e2d\u306b\u4eac\u90fd\u5e02\u306e\u9ad8\u3055\u898f\u5236\u6761\u4f8b\u3092\u7121\u8996\u3057\u305f\u3053\u3068\u3067\u8b70\u8ad6\u3092\u91b8\u3057\u3001\u4eac\u90fd\u5e02\u6c11\u306e\u9593\u306b\u8ad6\u4e89\u306e\u706b\u3092\u3064\u3051\u305f\u3002\u5bfa\u9662\u306f\u3001\u4eac\u90fd\u30db\u30c6\u30eb\u306e\u5bbf\u6cca\u5ba2\u3092\u6b53\u8fce\u3057\u306a\u3044\u3068\u3044\u3046\u770b\u677f\u3092\u7acb\u3066\u305f\u3002&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"727\" height=\"1024\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/1931-727x1024.webp\" alt=\"\" class=\"wp-image-161\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/1931-727x1024.webp 727w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/1931-213x300.webp 213w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/1931-768x1082.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/1931-1090x1536.webp 1090w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/1931-9x12.webp 9w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/1931.webp 1419w\" sizes=\"auto, (max-width: 727px) 100vw, 727px\" \/><\/figure>\n\n\n\n<p>\u30b8\u30a7\u30fc\u30e0\u30b9\u30fb\u30d2\u30fc\u30c8\u30f3\u3068\u30a2\u30f3\u30c7\u30a3\u30fb\u30df\u30e5\u30bb\u30ea\u306f\u3001\u5f53\u6642\u6700\u5148\u7aef\u306e\u753b\u50cf\u30bd\u30d5\u30c8\u3092\u4f7f\u3063\u3066\u30de\u30f3\u30cf\u30c3\u30bf\u30f3\u3067\u591c\u9045\u304f\u307e\u3067\u4f5c\u696d\u3057\u3001\u3053\u306e\u30db\u30c6\u30eb\u306e\u30c7\u30b8\u30bf\u30eb\u30fb\u30b3\u30e9\u30fc\u30b8\u30e5\u3092\u7e4b\u304e\u5408\u308f\u305b\u3001\u4eac\u90fd\u306e\u5893\u6a19\u3068\u3057\u305f\u3002\u5f7c\u3089\u306f\u3001794\u5e74\u304b\u30891994\u5e74\u9593\u306b\u304a\u3051\u308b\u4eac\u90fd\u306e\u8a95\u751f\u3068\u6b7b\u3092\u3001\u3053\u306e\u30db\u30c6\u30eb\u3068\u3044\u3046\u5893\u77f3\u306e\u6b63\u9762\u306b\u300c\u523b\u5370\u300d\u3057\u305f\u3002\u4eca\u65e5\u3001\u4eac\u90fd\u304c\u76f4\u9762\u3057\u3066\u3044\u308b\u6700\u3082\u56f0\u96e3\u306a\u4fdd\u5b58\u306e\u8ab2\u984c\u306f\u3001\u30aa\u30fc\u30d0\u30fc\u30c4\u30fc\u30ea\u30ba\u30e0\u3067\u3042\u308b\u3002<\/p>","protected":false},"excerpt":{"rendered":"<p>Kyoto Journal 27 \u201cThe Death and Resurrection of Kyoto\u201d was our second issue dedicated to Kyoto City itself. We addressed town planning, historic preservation, and the ways in which Kyoto was changing. It included a special bi-lingual section of ideas submitted by readers entitled \u201c60 Ways to Make Kyoto a Better Place.\u201d The cover was a visual commentary on the perceived destruction of old Kyoto. At the time, the Hotel Okura was a symbol of the wave of high-rise buildings that, then and now, genericizes the city. Because it had controversially ignored Kyoto\u2019s height-limit laws during construction, it sparked a furor among Kyoto residents. Temples put up signs stating that [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":124,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kyotography-sharing-visions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Death and Resurrection of Kyoto - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/the-death-and-resurrection-of-kyoto\/\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Death and Resurrection of Kyoto - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" \/>\n<meta property=\"og:description\" content=\"Kyoto Journal 27 \u201cThe Death and Resurrection of Kyoto\u201d was our second issue dedicated to Kyoto City itself. 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