{"id":138,"date":"2025-03-31T11:40:38","date_gmt":"2025-03-31T11:40:38","guid":{"rendered":"https:\/\/kyotographie-2025.kyotojournal.org\/?p=138"},"modified":"2025-04-03T10:17:38","modified_gmt":"2025-04-03T10:17:38","slug":"beauty-and-power-a-remembrance-of-jacqueline-hassink-in-kyoto","status":"publish","type":"post","link":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/beauty-and-power-a-remembrance-of-jacqueline-hassink-in-kyoto\/","title":{"rendered":"\u30d3\u30e5\u30fc\u30c6\u30a3\u30fc\uff06\u30d1\u30ef\u30fc\n\u2015\u4eac\u90fd\u3000\u30b8\u30e3\u30af\u30ea\u30fc\u30f3\u30fb\u30cf\u30fc\u30b9\u30a3\u30f3\u30af\u306e\u8ffd\u61b6\u2015"},"content":{"rendered":"<p>\u30aa\u30e9\u30f3\u30c0\u306e\u5199\u771f\u5bb6\u3001\u30b8\u30e3\u30af\u30ea\u30fc\u30f3\u30fb\u30cf\u30fc\u30b9\u30a3\u30f3\u30af\u306e\u88ab\u5199\u4f53\u306f\u30b0\u30ed\u30fc\u30d0\u30eb\u3067\u5965\u6df1\u304f\u3001\u305d\u3057\u3066\u591a\u69d8\u3067\u3042\u308b\u3002\u305d\u306e\u5bfe\u8c61\u306f\u3001\u4e16\u754c\u6709\u6570\u306e\u4f01\u696d\u306e\u5f79\u54e1\u4f1a\u8b70\u5ba4\u3001\u7523\u696d\u63a1\u77f3\u5834\u3001 <em>\u30aa\u30fc\u30c8\u30af\u30c1\u30e5\u30fc\u30eb<\/em> \u306e\u30d5\u30a3\u30c3\u30c6\u30a3\u30f3\u30b0\u30eb\u30fc\u30e0\u304b\u3089\u3001\u6a29\u5a01\u3042\u308b\u30a2\u30e9\u30d6\u5973\u6027\u5b9f\u696d\u5bb6\u306e\u4f4f\u5c45\u3084\u30aa\u30d5\u30a3\u30b9\u306b\u307e\u3067\u53ca\u3093\u3060\u3002\u4eac\u90fd\u306e\u5bfa\u9662\u5ead\u5712\u306b\u9b45\u4e86\u3055\u308c\u305f\u30cf\u30fc\u30b9\u30a3\u30f3\u30af\u306f\u3055\u3089\u306b\u300110\u5e74\u306b\u308f\u305f\u3063\u3066\u305d\u308c\u3089\u306e\u64ae\u5f71\u3092\u624b\u304c\u3051\u305f\u3002\u8457\u66f8 <em>\u300eView, Kyoto\u300f<\/em> (Hatje Cantz)\u3067\u3001\u5f7c\u5973\u306f\u81ea\u5206\u306e\u4e00\u9023\u306e\u4f5c\u54c1\u304c\u300c\u5bfa\u9662\u306e\u5ead\u306e\u5965\u6df1\u304f\u304b\u3089\u3001\u753b\u9762\u306b\u7573\u30fb\u7791\u60f3\u306e\u30b9\u30da\u30fc\u30b9\u3068\u5ead\u306e\u30b9\u30da\u30fc\u30b9\u3092\u3061\u3087\u3046\u3069\u534a\u5206\u305a\u3064\u6620\u3059\u3053\u3068\u3067\u3001\u516c\u7684\u7a7a\u9593\u3068\u79c1\u7684\u7a7a\u9593\u3092\u5206\u3051\u308b\u66d6\u6627\u306a\u5883\u754c\u7dda\u3092\u63a2\u6c42\u3059\u308b\u300d\u3068\u3044\u3046\u30a2\u30a4\u30c7\u30a2\u304b\u3089\u51fa\u767a\u3057\u305f\u306e\u3060\u3068\u8aac\u660e\u3057\u305f\u3002\u30cf\u30fc\u30b9\u30a3\u30f3\u30af\u306e\u76ee\u304b\u3089\u898b\u305f\u4eac\u90fd\u306e\u529b\u5f37\u3055\u3068\u7f8e\u3057\u3055\u306e\u30d3\u30b8\u30e7\u30f3\u306f\u3001\u8ab0\u3082\u304c\u3088\u304f\u77e5\u308b\u540d\u6240\u306b\u3064\u3044\u3066\u3001\u65b0\u305f\u306a\u8996\u70b9\u3092\u63d0\u4f9b\u3057\u305f\u306e\u3067\u3042\u308b\u3002<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/\u8acb\u6c42\u66f8_201057-3-1024x682.webp\" alt=\"\" class=\"wp-image-140\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/\u8acb\u6c42\u66f8_201057-3-1024x682.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/\u8acb\u6c42\u66f8_201057-3-300x200.webp 300w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/\u8acb\u6c42\u66f8_201057-3-768x512.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/\u8acb\u6c42\u66f8_201057-3-1536x1024.webp 1536w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/\u8acb\u6c42\u66f8_201057-3-18x12.webp 18w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/\u8acb\u6c42\u66f8_201057-3.webp 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>\u30cf\u30fc\u30b9\u30a3\u30f3\u30af\u304c\u6700\u5f8c\u306b\u4eac\u90fd\u3092\u8a2a\u308c\u305f\u306e\u306f2016\u5e74\u3067\u3042\u308b\u3002\u305d\u306e\u969b\u3001\u5f7c\u5973\u306f\u65b0\u3057\u3044\u3053\u3068\u2014\u5bfa\u9662\u5185\u306e\u79c1\u7684\u7a7a\u9593\u306e\u8a18\u9332\u2014\u306b\u6311\u6226\u3057\u3066\u3044\u305f\u3002\u6771\u798f\u5bfa\u306e\u4ee3\u3005\u306e\u4f4f\u8077\u305f\u3061\u3068\u306e\u4ea4\u6d41\u304c\u3001\u5bfa\u9662\u5185\u306e\u53f0\u6240\u3001\u98df\u5802\u3001\u7985\u50e7\u306e\u7791\u60f3\u30b9\u30da\u30fc\u30b9\u3078\u306e\u30a2\u30af\u30bb\u30b9\u3092\u53ef\u80fd\u306b\u3057\u305f\u3002 <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/Hassink-1024x683.webp\" alt=\"\" class=\"wp-image-141\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/Hassink-1024x683.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/Hassink-300x200.webp 300w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/Hassink-768x512.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/Hassink-1536x1025.webp 1536w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/Hassink-18x12.webp 18w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/Hassink.webp 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>\u6771\u798f\u5bfa\u3067\u64ae\u5f71\u3055\u308c\u305f\u3053\u308c\u3089\u306e\u30dd\u30fc\u30c8\u30ec\u30fc\u30c8\u306f\u3001Kyoto Journal\u306e\u30a2\u30bd\u30b7\u30a8\u30a4\u30c8\u30fb\u30a8\u30c7\u30a3\u30bf\u30fc\u3067\u3042\u308b\u30ec\u30a4\u30f3\u30fb\u30c7\u30a3\u30b3\u306b\u3088\u308b\u3082\u306e\u3060\u3002\u5f7c\u306f\u30cb\u30e5\u30fc\u30e8\u30fc\u30af\u3067\u3001\u30cf\u30fc\u30b9\u30a3\u30f3\u30af\u306e <em>\u300eView, Kyoto\u300f<\/em> \u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u306b\u643a\u308f\u3063\u305f\u7d4c\u9a13\u304c\u3042\u308b\u3002\u30cf\u30fc\u30b9\u30a3\u30f3\u30af\u306f2018\u5e74\u300152\u6b73\u3067\u3053\u306e\u4e16\u3092\u53bb\u3063\u305f\u304c\u3001\u5f7c\u5973\u306e\u4eba\u751f\u3068\u305d\u306e\u4f5c\u54c1\u3092\u8ffd\u61b6\u3059\u308b\u3082\u306e\u3068\u3057\u3066\u3001\u3053\u308c\u3089\u306e\u30dd\u30fc\u30c8\u30ec\u30fc\u30c8\u304cKJ 94 \u53f7\u3001\u4eac\u90fd\u306b\u30a4\u30f3\u30b9\u30d1\u30a4\u30a2\u3055\u308c\u305f\u4e16\u754c\u4e2d\u306e\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u305f\u3061\u306b\u30d5\u30a9\u30fc\u30ab\u30b9\u3092\u5f53\u3066\u305f\u7279\u5225\u30a8\u30c7\u30a3\u30b7\u30e7\u30f3\u306b\u3066\u7279\u96c6\u3055\u308c\u3066\u3044\u308b\u3002<\/p>","protected":false},"excerpt":{"rendered":"<p>The subjects of Dutch photographer Jacqueline Hassink were varied, global and profound. They included the boardrooms of the world\u2019s largest corporations, industrial rock quarries, haute couture fitting rooms, and the homes and offices of powerful Arab businesswomen. Hassink was also fascinated by Kyoto\u2019s temple gardens. and pursued a decade-long project photographing them. In her book, View, Kyoto (Hatje Cantz), she states her initial idea \u201cto create a series of photographs exploring the undefined border between public and private space by photographing the garden from deep inside the temple, balancing the areas of tatami\/meditation space and garden space equally in the image.\u201d Hassink\u2019s vision of Kyoto\u2019s power and beauty offered a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":139,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-138","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kyotography-sharing-visions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Beauty and Power\u2014A Remembrance of Jacqueline Hassink in Kyoto - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/beauty-and-power-a-remembrance-of-jacqueline-hassink-in-kyoto\/\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Beauty and Power\u2014A Remembrance of Jacqueline Hassink in Kyoto - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" \/>\n<meta property=\"og:description\" content=\"The subjects of Dutch photographer Jacqueline Hassink were varied, global and profound. 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They included the boardrooms of the world\u2019s largest corporations, industrial rock quarries, haute couture fitting rooms, and the homes and offices of powerful Arab businesswomen. Hassink was also fascinated by Kyoto\u2019s temple gardens. and pursued a decade-long project photographing them. In her book, View, Kyoto (Hatje Cantz), she states her initial idea \u201cto create a series of photographs exploring the undefined border between public and private space by photographing the garden from deep inside the temple, balancing the areas of tatami\/meditation space and garden space equally in the image.\u201d Hassink\u2019s vision of Kyoto\u2019s power and beauty offered a [&hellip;]","og_url":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/beauty-and-power-a-remembrance-of-jacqueline-hassink-in-kyoto\/","og_site_name":"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","article_publisher":"https:\/\/www.facebook.com\/kyoto.journal\/","article_published_time":"2025-03-31T11:40:38+00:00","article_modified_time":"2025-04-03T10:17:38+00:00","og_image":[{"width":2000,"height":1333,"url":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/vessels.webp","type":"image\/webp"}],"author":"david-emrich","twitter_card":"summary_large_image","twitter_misc":{"\u57f7\u7b46\u8005":"david-emrich","\u63a8\u5b9a\u8aad\u307f\u53d6\u308a\u6642\u9593":"2\u5206"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/beauty-and-power-a-remembrance-of-jacqueline-hassink-in-kyoto\/#article","isPartOf":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/beauty-and-power-a-remembrance-of-jacqueline-hassink-in-kyoto\/"},"author":{"name":"david-emrich","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#\/schema\/person\/c5eb590b8e37c47e9789cd18974c0571"},"headline":"Beauty and Power\u2014A Remembrance of Jacqueline Hassink in Kyoto","datePublished":"2025-03-31T11:40:38+00:00","dateModified":"2025-04-03T10:17:38+00:00","mainEntityOfPage":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/beauty-and-power-a-remembrance-of-jacqueline-hassink-in-kyoto\/"},"wordCount":237,"publisher":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#organization"},"image":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/beauty-and-power-a-remembrance-of-jacqueline-hassink-in-kyoto\/#primaryimage"},"thumbnailUrl":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/vessels.webp","articleSection":["Kyotography - 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