{"id":147,"date":"2025-03-31T11:56:50","date_gmt":"2025-03-31T11:56:50","guid":{"rendered":"https:\/\/kyotographie-2025.kyotojournal.org\/?p=147"},"modified":"2025-04-03T10:16:55","modified_gmt":"2025-04-03T10:16:55","slug":"oyako","status":"publish","type":"post","link":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/oyako\/","title":{"rendered":"\u89aa\u5b50"},"content":{"rendered":"<p>2020\u5e74\u306b\u5370\u5237\u3055\u308c\u305f\u6700\u5f8c\u306e\u53f7\u306f\u3001\u65b0\u578b\u30b3\u30ed\u30ca\u30a6\u30a3\u30eb\u30b9\u30d1\u30f3\u30c7\u30df\u30c3\u30af\u3067\u56fd\u969b\u90f5\u4fbf\u304c\u6b62\u307e\u3063\u3066\u3057\u307e\u3046\u524d\u306b\u767a\u884c\u3055\u308c\u305f\u3082\u306e\u3067\u3001KJ\u30c1\u30fc\u30e0\u306e\u82e5\u3044\u30e1\u30f3\u30d0\u30fc2\u4eba\u3001\u30bf\u30a4\u30fb\u30d3\u30eb\u30de\u30f3\u3068\u30b3\u30fc\u30c7\u30a3\u30fb\u30cf\u30a6\u30ab\u304c\u7de8\u96c6\u3092\u3057\u305f\u3002\u300c\u6b21\u4e16\u4ee3\u300d\u3068\u3044\u3046\u30c6\u30fc\u30de\u306f\u30d6\u30eb\u30fc\u30b9\u30fb\u30aa\u30ba\u30dc\u30fc\u30f3\u306e\u64ae\u3063\u305f <em>\u89aa\u5b50<\/em> 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class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohwada-1-1024x1024.webp\" alt=\"\" class=\"wp-image-149\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohwada-1-1024x1024.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohwada-1-300x300.webp 300w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohwada-1-150x150.webp 150w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohwada-1-768x768.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohwada-1-1536x1536.webp 1536w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohwada-1-12x12.webp 12w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohwada-1.webp 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>\u5927\u548c\u7530\u660e\u6075\uff08\u4e3b\u5a66\uff09 \/ \u5927\u548c\u7530\u6075\u5b50\uff08\u5c0f\u5b66\u751f\uff09 \/ 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class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohno_kazuo-1024x1024.webp\" alt=\"\" class=\"wp-image-150\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohno_kazuo-1024x1024.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohno_kazuo-300x300.webp 300w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohno_kazuo-150x150.webp 150w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohno_kazuo-768x768.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohno_kazuo-1536x1536.webp 1536w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohno_kazuo-12x12.webp 12w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohno_kazuo.webp 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>\u5927\u91ce\u6176\u4eba\uff08\u821e\u8e0f\u5bb6\uff09 \/ \u5927\u91ce\u4e00\u96c4\uff08\u821e\u8e0f\u5bb6\uff09<\/strong><\/p>\n\n\n\n<p>\u8e0a\u308b\u3068\u306f\u4f55\u304b\u3001\u751f\u3068\u306f\u4f55\u304b\u3001\u6b7b\u3068\u306f\u4f55\u304b\u3001\u9b42\u3068\u306f\u4f55\u304b\u3001\u8eab\u4f53\u3068\u306f\u4f55\u304b\u3002 <em>\u821e\u8e0f\u5bb6\u30fb<\/em> \u5927\u91ce\u4e00\u96c4\u306f\u3001\u305d\u306e\u554f\u3044\u306e\u7b54\u3048\u3092\u3001\u610f\u56f3\u3092\u6c42\u3081\u308b\u9b42\u304c\u6d88\u3048\u53bb\u308b\u307e\u3067\u8ffd\u6c42\u3057\u3001\u72ec\u81ea\u306e\u821e\u8e0f\u30b9\u30bf\u30a4\u30eb\u3092\u78ba\u7acb\u3057\u305f\u3002\u300c\u30b9\u30bf\u30b8\u30aa\u3068\u3044\u3046\u7a7a\u9593\u3067\u3001\uff12\u4eba\u63c3\u3063\u3066\u821e\u8e0f\u3059\u308b\u59ff\u3092\u76ee\u306e\u5f53\u305f\u308a\u306b\u3057\u306a\u304c\u3089\u64ae\u5f71\u3067\u304d\u305f\u3053\u3068\u306f\u3001\u975e\u5e38\u306b\u7279\u5225\u306a\u4f53\u9a13\u3067\u3057\u305f\u300d\u3068\u3001\u30aa\u30ba\u30dc\u30fc\u30f3\u306f\u8a9e\u308b\u3002\n\u3053\u306e\u65e5\u300188\u6b73\u306e\u4e00\u96c4\u306f\u300c\u308f\u305f\u3057\u306e\u304a\u6bcd\u3055\u3093\u300d\u3092\u30a4\u30e1\u30fc\u30b8\u3057\u305f\u8863\u88c5\u3092\u307e\u3068\u3063\u3066\u3044\u305f\u3002<\/p>","protected":false},"excerpt":{"rendered":"<p>Our last print issue in 2020, made before the covid-19 pandemic stopped international mail, was edited by two young members of the KJ team, Ty Billman and Codi Hauka. The theme of \u201cNext Generations\u201d was a perfect opportunity to introduce the oyako (parent-child) photographs of&nbsp;Bruce Osborn. He has written: \u201cThe relationship between a parent and child is like the foundation of a building. Upon this foundation, family, friends, and the community are built. The Oyako Series began soon after I moved to Japan, and it remains a theme that I continue to explore to this day. Family bonds hold deep and enduring significance within Japanese society. \u201cEach photograph tells a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":148,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kyotography-sharing-visions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>OYAKO - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/oyako\/\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"OYAKO - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" \/>\n<meta property=\"og:description\" content=\"Our last print issue in 2020, made before the covid-19 pandemic stopped international mail, was edited by two young members of the KJ team, Ty Billman and Codi Hauka. The theme of \u201cNext Generations\u201d was a perfect opportunity to introduce the oyako (parent-child) photographs of&nbsp;Bruce Osborn. He has written: \u201cThe relationship between a parent and child is like the foundation of a building. Upon this foundation, family, friends, and the community are built. The Oyako Series began soon after I moved to Japan, and it remains a theme that I continue to explore to this day. 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The theme of \u201cNext Generations\u201d was a perfect opportunity to introduce the oyako (parent-child) photographs of&nbsp;Bruce Osborn. He has written: \u201cThe relationship between a parent and child is like the foundation of a building. Upon this foundation, family, friends, and the community are built. The Oyako Series began soon after I moved to Japan, and it remains a theme that I continue to explore to this day. Family bonds hold deep and enduring significance within Japanese society. \u201cEach photograph tells a [&hellip;]","og_url":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/oyako\/","og_site_name":"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","article_publisher":"https:\/\/www.facebook.com\/kyoto.journal\/","article_published_time":"2025-03-31T11:56:50+00:00","article_modified_time":"2025-04-03T10:16:55+00:00","og_image":[{"width":2000,"height":2000,"url":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohwada.webp","type":"image\/webp"}],"author":"david-emrich","twitter_card":"summary_large_image","twitter_misc":{"\u57f7\u7b46\u8005":"david-emrich","\u63a8\u5b9a\u8aad\u307f\u53d6\u308a\u6642\u9593":"3\u5206"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/oyako\/#article","isPartOf":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/oyako\/"},"author":{"name":"david-emrich","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#\/schema\/person\/c5eb590b8e37c47e9789cd18974c0571"},"headline":"OYAKO","datePublished":"2025-03-31T11:56:50+00:00","dateModified":"2025-04-03T10:16:55+00:00","mainEntityOfPage":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/oyako\/"},"wordCount":326,"publisher":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#organization"},"image":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/oyako\/#primaryimage"},"thumbnailUrl":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/ohwada.webp","articleSection":["Kyotography - 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