{"id":206,"date":"2025-04-07T09:29:09","date_gmt":"2025-04-07T09:29:09","guid":{"rendered":"https:\/\/kyotographie-2025.kyotojournal.org\/?p=206"},"modified":"2025-04-08T06:36:10","modified_gmt":"2025-04-08T06:36:10","slug":"miksang","status":"publish","type":"post","link":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/miksang\/","title":{"rendered":"Miksang"},"content":{"rendered":"<h2 class=\"wp-block-heading\">\u5e73\u5b89\u795e\u5bae\u30fb\u5ca1\u5d0e\u516c\u5712\u30fb\u5929\u6388\u5eb5<\/h2>\n\n\n<div class=\"article-caption\">\n    <p>\u30c0\u30a4\u30ec\u30af\u30c8\u306b\u77e5\u899a\u3059\u308b\u3068\u3044\u3046\u7d4c\u9a13\u306f\u3001\u81ea\u5206\u3068\u81ea\u5206\u4ee5\u5916\u3068\u3044\u3046\u5206\u3051\u9694\u3066\u304c\u306a\u304f\u306a\u3063\u305f\u6642\u306b\u8d77\u3053\u308b\u3002\u305d\u308c \u306f\u307e\u308b\u3067\u7a7a\u9593\u304c\u7a7a\u9593\u306b\u3001\u8d64\u304c\u8d64\u306b\u3001\u5fc3\u304c\u5fc3\u306b\u51fa\u4f1a\u3046\u3088\u3046\u306a\u3082\u306e\u3060\u3002\u964d\u3063\u305f\u3070\u304b\u308a\u306e\u96ea\u304c\u671d\u4e00\u756a\u306e \u5149\u306b\u7167\u3089\u3055\u308c\u3066\u5149\u308a\u8f1d\u304f\u3088\u3046\u306b\u3001\u307e\u3063\u3055\u3089\u306a\u72b6\u614b\u3067\u306e\u77e5\u899a\u306f\u79c1\u305f\u3061\u306e\u610f\u8b58\u306e\u4e2d\u306b\u7a81\u7136\u3069\u3053\u304b\u3089\u3068\u3082\u306a \u304f\u51fa\u73fe\u3059\u308b\u3002\u3053\u306e\u3088\u3046\u306b\u898b\u308b\u3068\u3044\u3046\u3053\u3068\u306f\u3001\u512a\u96c5\u306a\u51fa\u4f1a\u3044\u3001\u6d17\u7df4\u3055\u308c\u305f\u30c0\u30f3\u30b9\u306e\u3088\u3046\u306b\u611f\u3058\u3089\u308c\u308b\u3053\u3068\u3060\u308d\u3046\u3002\n\n\u2015\u2015\u30de\u30a4\u30b1\u30eb\u30fb\u30a6\u30c3\u30c9\uff08\u8457\u66f8\u3000Greaceful Appearance\u3088\u308a\u5f15\u7528\uff09<\/p>\n<p>\u2013 Michael Wood, Graceful Appearance<\/p>\n\n<\/div>\n\n\n<p>\u73fe\u5b58\u3059\u308b\u6700\u53e4\u306e\u5199\u771f\u306f\u3001200 \u5e74\u3082\u6614\u306b\u30d5\u30e9\u30f3\u30b9\u306e\u767a\u660e\u5bb6\u30cb\u30bb\u30d5\u30a9\u30fc \u30eb\u00b7\u30cb\u30a8\u30d7\u30b9\u304c\u3001\u81ea\u8eab\u306e\u30b7\u30e3\u30c8\u30fc\u306e\u7a93\u304b\u3089\u666f\u8272\u3092\u5199\u3057\u305f\u3082\u306e\u3067\u3042\u308b\u3002 \u305d\u308c\u306f\u3001\u6211\u3005\u304c\u4eca\u65e5\u76ee\u306b\u3059\u308b\u3001\u308f\u3056\u3068\u3089\u3057\u304f\u4f5c\u308a\u8fbc\u307e\u308c\u305f\u753b\u50cf\u3068 \u306f\u5168\u304f\u7570\u306a\u308b\u3082\u306e\u3067\u3042\u308b\u3002\u5199\u771f\u306f\u3001\u4f55\u304b\u3092\u8aac\u660e\u3059\u308b\u3001\u58f2\u308b\u3001\u60c5\u5831 \u3092\u63d0\u4f9b\u3059\u308b\u624b\u6bb5\u3068\u3057\u3066\u3001\u79c1\u305f\u3061\u306e\u4e16\u754c\u306e\u898b\u65b9\u3001\u305d\u3057\u3066\u81ea\u5206\u81ea\u8eab\u306e \u898b\u65b9\u306b\u3001\u3053\u308c\u307e\u3067\u306b\u306a\u3044\u5f71\u97ff\u529b\u3092\u767a\u63ee\u3059\u308b\u3082\u306e\u3068\u306a\u3063\u305f\u3002 <\/p>\n\n\n\n<p>Miksang contemplative photography \u306f\u3001\u305d\u306e\u6839\u672c\u306b\u300c\u77e5\u899a\u300d \u306b\u3064\u3044\u3066\u306e\u4ecf\u6559\u306e\u8003\u3048\u65b9\u304c\u3042\u308a\u3001\u30d5\u30a9\u30c8\u30b0\u30e9\u30d5\u30a3\u30fc\u306e\u57fa\u672c\u7684\u306a\u8003 \u3048\u65b9\u306b\u771f\u3063\u5411\u304b\u3089\u6297\u3046\u305f\u3081\u306e\u30a2\u30d7\u30ed\u30fc\u30c1\u3068\u3057\u3066\u300140 \u5e74\u8fd1\u304f\u524d\u306b\u30de \u30a4\u30b1\u30eb\u00b7\u30a6\u30c3\u30c9\u3068\u30b8\u30e5\u30ea\u30fc\u00b7\u30c7\u30dc\u30fc\u30ba\u306b\u3088\u3063\u3066\u751f\u307f\u3060\u3055\u308c\u305f\u3002\u3042\u3089 \u3086\u308b\u610f\u56f3\u3084\u69cb\u6210\u3001\u76ee\u7684\u3092\u3072\u3068\u307e\u305a\u5ea6\u5916\u8996\u3057\u3001\u898b\u308b\u3053\u3068\u306b\u7126\u70b9\u3092 \u5408\u308f\u305b\u3001\u305d\u306e\u77ac\u9593\u306b\u5b58\u5728\u3059\u308b\u4e16\u754c\u3092\u76f4\u306b\u7d4c\u9a13\u3059\u308b\u3053\u3068\u306b\u5fc3\u3092\u6ce8\u3050\u3002 Miksang \u3068\u3044\u3046\u540d\u524d\u306f\u30c1\u30d9\u30c3\u30c8\u8a9e\u306e\u300c\u826f\u3044\u76ee\u300d\u3092\u610f\u5473\u3059\u308b\u5358\u8a9e \u304b\u3089\u304d\u3066\u3044\u308b\u3002\u3044\u3064\u3082\u6025\u304b\u3055\u308c\u3066\u3044\u308b\u3088\u3046\u306a\u72b6\u614b\u304b\u3089\u629c\u3051\u51fa\u3059\u3053 \u3068\u3067\u3001\u65e5\u3005\u306b\u6f5c\u3080\u7f8e\u3057\u3055\u306e\u65b0\u9bae\u3067\u76f4\u63a5\u7684\u306a\u6c17\u3065\u304d\u3001\u751f\u3005\u3057\u304f\u30ea\u30a2 \u30eb\u306a\u77ac\u9593\u3068\u306e\u76f8\u4e92\u7684\u306a\u95a2\u308f\u308a\u3078\u306e\u9053\u3092\u62d3\u3044\u3066\u3044\u304f\u306e\u3067\u3042\u308b\u3002 <\/p>\n\n\n\n<p>2017\u5e74\u306b\u4eac\u90fd\u3067\u958b\u304b\u308c\u305f\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u306e\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\u3067\u3001\u30a6\u30c3 \u30c9\u3068\u30c7\u30dc\u30fc\u30ba\u306f Kyoto Journal \u306b\u5bfe\u3057\u3001\u300cMiksang \u306e\u6839\u5e95\u306b \u3042\u308b\u306e\u306f\u3001\u4eca\u3053\u3053\u306b\u3044\u308b\u3053\u3068\u3001\u305d\u3057\u3066\u305d\u308c\u3092\u8a8d\u8b58\u3059\u308b\u3053\u3068\u3002\u666e\u901a \u306e\u3053\u3068\u304c\u7279\u5225\u3067\u3042\u308b\u3068\u6c17\u3065\u304f\u3053\u3068\u3067\u3059\u3002\u300d\u3068\u8a9e\u3063\u305f\u3002 <\/p>\n\n\n\n<p>\u3053\u306e\u54f2\u5b66\u306f\u3001 Kyoto Journal \u306e\u5275\u520a\u7de8\u96c6\u8005\u3067\u3042\u308b\u30b8\u30e7\u30f3\u00b7\u30a2\u30a4\u30ca\u30fc\u30bb\u30f3\u306e\u3001 \u904e\u53bb15\u5e74\u306e\u5199\u771f\u6d3b\u52d5\u306b\u3082\u6df1\u3044\u5f71\u97ff\u3092\u53ca\u307c\u3057\u3066\u3044\u308b\u3002<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" data-id=\"218\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/silver-carp-682x1024.webp\" alt=\"\" class=\"wp-image-218\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/silver-carp-682x1024.webp 682w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/silver-carp-200x300.webp 200w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/silver-carp-768x1152.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/silver-carp-1024x1536.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/silver-carp-8x12.webp 8w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/silver-carp.webp 1333w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" data-id=\"220\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/red-leaves-682x1024.webp\" alt=\"\" class=\"wp-image-220\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/red-leaves-682x1024.webp 682w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/red-leaves-200x300.webp 200w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/red-leaves-768x1152.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/red-leaves-1024x1536.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/red-leaves-8x12.webp 8w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/red-leaves.webp 1333w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" data-id=\"221\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/stump-682x1024.webp\" alt=\"\" class=\"wp-image-221\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/stump-682x1024.webp 682w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/stump-200x300.webp 200w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/stump-768x1152.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/stump-1024x1536.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/stump-8x12.webp 8w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/stump.webp 1333w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-id=\"225\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/torii-1024x682.webp\" alt=\"\" class=\"wp-image-225\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/torii-1024x682.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/torii-300x200.webp 300w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/torii-768x512.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/torii-1536x1024.webp 1536w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/torii-18x12.webp 18w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/torii.webp 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"660\" data-id=\"219\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/wisteria-1024x660.webp\" alt=\"\" class=\"wp-image-219\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/wisteria-1024x660.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/wisteria-300x193.webp 300w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/wisteria-768x495.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/wisteria-1536x990.webp 1536w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/wisteria-18x12.webp 18w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/wisteria.webp 1946w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"655\" data-id=\"226\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/canal-1024x655.webp\" alt=\"\" class=\"wp-image-226\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/canal-1024x655.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/canal-300x192.webp 300w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/canal-768x491.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/canal-1536x982.webp 1536w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/canal-18x12.webp 18w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/canal.webp 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-id=\"224\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/streetlights-1024x682.webp\" alt=\"\" class=\"wp-image-224\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/streetlights-1024x682.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/streetlights-300x200.webp 300w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/streetlights-768x512.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/streetlights-1536x1024.webp 1536w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/streetlights-18x12.webp 18w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/streetlights.webp 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"731\" data-id=\"227\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/column-1024x731.webp\" alt=\"\" class=\"wp-image-227\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/column-1024x731.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/column-300x214.webp 300w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/column-768x548.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/column-1536x1097.webp 1536w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/column-18x12.webp 18w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/04\/column.webp 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p><em><a href=\"https:\/\/tadoritsuitara.kyoto.jp\/interview\/john_einarsen\/\" target=\"_blank\" rel=\"noreferrer noopener\">Interview with John Einarsen<\/a><\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>HEIAN SHRINE \u2022 OKAZAKI PARK \u2022 TENJU-AN The oldest surviving photograph, the view from his chateau window captured by the French inventor, Nic\u00e9phore Ni\u00e9pce, two centuries ago, is a far remove from the increasingly constructed or manipulated depictions we see today. Seeking to illustrate, sell, and inform, photography has come to exert an ever-stronger influence on how we see the world, and ourselves. Based on Buddhist analysis of perception, Miksang contemplative photography was founded by Michael Wood and Julie Dubose nearly 40 years ago as an approach to seeing that flies in the face of standard conceptions of photography. It foregoes all agendas, constructs, and goals, instead focusing on seeing, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":214,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kyotography-sharing-visions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Miksang - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/miksang\/\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Miksang - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" \/>\n<meta property=\"og:description\" content=\"HEIAN SHRINE \u2022 OKAZAKI PARK \u2022 TENJU-AN The oldest surviving photograph, the view from his chateau window captured by the French inventor, Nic\u00e9phore Ni\u00e9pce, two centuries ago, is a far remove from the increasingly constructed or manipulated depictions we see today. Seeking to illustrate, sell, and inform, photography has come to exert an ever-stronger influence on how we see the world, and ourselves. Based on Buddhist analysis of perception, Miksang contemplative photography was founded by Michael Wood and Julie Dubose nearly 40 years ago as an approach to seeing that flies in the face of standard conceptions of photography. 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