{"id":23,"date":"2025-03-13T11:44:58","date_gmt":"2025-03-13T11:44:58","guid":{"rendered":"https:\/\/kyotographie-2025.kyotojournal.org\/?p=23"},"modified":"2025-03-31T12:42:43","modified_gmt":"2025-03-31T12:42:43","slug":"kyoto-speaks","status":"publish","type":"post","link":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/kyoto-speaks\/","title":{"rendered":"Kyoto speaks"},"content":{"rendered":"<div class=\"article-caption\">\n    <p>\u300c\u305d\u308c\u307e\u3067\u306b\u5b66\u3093\u3060\u3053\u3068\u304c\u4fe1\u3058\u3089\u308c\u306a\u304f\u306a\u3063\u305f\u306e\u3067\u3001\u8aad\u3080\u306e\u3092\u3084\u3081\u305f\u3002<br \/>\nLSD\u304c\u4f55\u3088\u308a\u3082\u5927\u304d\u306a\u5f71\u97ff\u3092\u53ca\u307c\u3057\u305f\u3002\u300d<\/p>\n\n<\/div>\n\n\n<p>1991\u5e74\u3001KJ 16\u53f7\u300eKyoto Speaks\u300f\u3067\u306f\u3001\u4eac\u90fd\u306b\u4f4f\u308058\u4eba\u306b\u8a71\u3092\u805e\u3044\u305f\u3002\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\u3092\u53d7\u3051\u305f\u307b\u307c\u5168\u54e1\u304c\u3001\u76ee\u306e\u524d\u3067\u4f1d\u7d71\u6587\u5316\u304c\u5931\u308f\u308c\u3066\u884c\u304f\u69d8\u3092\u5606\u3044\u3066\u3044\u305f\u3002\u5f53\u6642\u306e\u65e5\u672c\u7d4c\u6e08\u306f\u30d0\u30d6\u30eb\u666f\u6c17\u306e\u771f\u3063\u53ea\u4e2d\u306b\u3042\u308a\u3001\u4eac\u753a\u5bb6\u306e\u4e26\u3076\u8857\u4e26\u307f\u304c\u58ca\u3055\u308c\u3066\u3044\u3063\u305f\u3002&nbsp;<\/p>\n\n\n\n<p>\u3053\u306e\u53f7\u3067\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\u3057\u305f\u4e2d\u306b\u300170\u5e74\u4ee3\u4eac\u90fd\u306e\u300c\u30ab\u30a6\u30f3\u30bf\u30fc\u30ab\u30eb\u30c1\u30e3\u30fc\u300d\u306b\u53c2\u52a0\u3057\u305f\u50e7\u4fb6\u30fb\u5ead\u5e2b\u3067\u30c9\u30e9\u30de\u30fc\u306e\u798f\u6751\u7956\u725b\u5e2b\u304c\u3044\u305f\u3002\u3053\u306e\u5199\u771f\u306f\u3001\u305d\u306e\u5f8c1988\u5e74\u306b\u3001\u30a2\u30e1\u30ea\u30ab\u306e\u30d3\u30fc\u30c8\u8a69\u4eba\u30a2\u30ec\u30f3\u30fb\u30ae\u30f3\u30ba\u30d0\u30fc\u30b0\u306b\u3088\u308a\u64ae\u5f71\u3055\u308c\u305f\u3082\u306e\u3067\u3042\u308b\u3002\u53f3\u304b\u3089\u3001\u7956\u725b\u5e2b\u3001\u306e\u3061\u306e\u5927\u5fb3\u5bfa\u7ba1\u9577\u30fb\u9ad8\u7530\u660e\u6d66\u5e2b\uff08\u4e2d\u592e\uff09\u3001\u305d\u3057\u3066\u4f1d\u8aac\u7684\u8a69\u4eba\u306a\u306a\u304a\u3055\u3055\u304d\u6c0f\uff08\u5de6\uff09\u304c\u4e26\u3093\u3067\u3044\u308b\u3002\u30ae\u30f3\u30ba\u30d0\u30fc\u30b0\u306f\u3001\u9ad8\u3044\u8a55\u4fa1\u3092\u53d7\u3051\u3066\u3044\u305f\u81ea\u8eab\u306e\u8a69 <em>\u300eHowl(\u5420\u3048\u308b)\u300f<\/em> \u3092\u4eac\u5927\u897f\u90e8\u8b1b\u5802\u3067\u6717\u8aad\u3059\u308b\u305f\u3081\u306b\u6765\u65e5\u3057\u3066\u3044\u305f\u3002\u30a2\u30e1\u30ea\u30ab\u304b\u3089\u30d3\u30fc\u30c8\u4f5c\u5bb6\u306e\u591a\u304f\u304c\u4eac\u90fd\u3092\u8a2a\u308c\u305f\u306e\u306f\u3001\u5927\u5fb3\u5bfa\u3067\u7985\u3092\u5b66\u3093\u3060\u30b2\u30fc\u30ea\u30fc\u30fb\u30b9\u30ca\u30a4\u30c0\u30fc\u306e\u5f71\u97ff\u304c\u5927\u304d\u3044\u3002\u4eac\u90fd\u3092\u8a2a\u308c\u305f\u30b9\u30ca\u30a4\u30c0\u30fc\u3001\u306a\u306a\u304a\u3001\u30ae\u30f3\u30ba\u30d0\u30fc\u30b0\u3001\u7247\u6850\u30e6\u30ba\u30eb\u3001\u30a2\u30e9\u30f3\u30fb\u30e9\u30a6\u3001\u30d1\u30c8\u30ea\u30b7\u30a2\u30fb\u30c9\u30cd\u30ac\u30f3\u3001\u30b8\u30e7\u30f3\u30fb\u30d6\u30e9\u30f3\u30c7\u30a3\u3001\u767d\u77f3\u304b\u305a\u3053\u7b49\u3001\u5927\u52e2\u306e\u4f5c\u5bb6\u306e\u8a18\u4e8b\u3084\u8a69\u304c <em>Kyoto Journal<\/em> \u306e\u30da\u30fc\u30b8\u3092\u98fe\u3063\u305f\u3002\u3042\u308b\u610f\u5473\u3001Kyoto Journal\u306f\u3053\u3046\u3044\u3063\u305f\u8a69\u4eba\u305f\u3061\u306e\u30ec\u30ac\u30b7\u30fc\u3092\u9023\u7dbf\u3068\u4f53\u73fe\u3057\u3066\u304d\u305f\u3068\u3044\u3048\u308b\u3002<\/p>\n\n\n\n<p>2\u679a\u76ee\u306e\u3001\u5c0f\u3055\u3044\u65b9\u306e\u5199\u771f\u306f\u3001\u64ae\u5f71\u4e2d\u306e\u30ae\u30f3\u30ba\u30d0\u30fc\u30b0\u3002\u64ae\u5f71\u3057\u305f\u6e21\u8fba\u7738\u306f\u3001\u65e5\u672c\u306b\u304a\u3051\u308b\u30ab\u30a6\u30f3\u30bf\u30fc\u30ab\u30eb\u30c1\u30e3\u30fc\u306e\u8a18\u9332\u3092\u30e9\u30a4\u30d5\u30ef\u30fc\u30af\u3068\u3057\u3001\u30d9\u30c8\u30ca\u30e0\u53cd\u6226\u904b\u52d5\u3067\u6771\u4eac\u3084\u4eac\u90fd\u306e\u5927\u5b66\u306e\u69cb\u5185\u3067\u30d0\u30ea\u30b1\u30fc\u30c9\u3092\u4f5c\u3063\u305f\u5b66\u751f\u3068\u8b66\u5bdf\u3068\u306e\u885d\u7a81\u3092\u8a18\u9332\u3057\u305f\u5199\u771f\u3067\u77e5\u3089\u308c\u308b\u3002(\u5199\u771f\u63d0\u4f9b\uff1a\u798f\u6751\u7956\u725b)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"689\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/KJ_bw_01-1-1024x689.webp\" alt=\"\" class=\"wp-image-133\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/KJ_bw_01-1-1024x689.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/KJ_bw_01-1-300x202.webp 300w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/KJ_bw_01-1-768x516.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/KJ_bw_01-1-1536x1033.webp 1536w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/KJ_bw_01-1-18x12.webp 18w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/KJ_bw_01-1.webp 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Of the 58&nbsp; Kyoto residents we interviewed in \u201cKyoto Speaks,\u201d nearly every one lamented the way traditional culture was dying out before their very eyes. This was during the \u201cbubble\u201d years, when whole blocks of machiya townhouses were being razed.&nbsp; Among the interviewees was Sogyu\u2014monk, gardner, and drummer\u2014who spoke about the \u2018countercultural scene\u2019 in Kyoto in the 70s. This photo was taken later, in 1988 by American Beat poet Allen Ginsberg and&nbsp; shows Sogyu (right), the future head abbot of Daitokuji, Takada Myoho (center), and the legendary poet Sakaki Nanao (left). Ginsberg was in Kyoto to read his acclaimed poem Howl at Kyoto Seibukodo. Many of the American Beat writers [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":132,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-23","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kyotography-sharing-visions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Kyoto speaks - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/kyoto-speaks\/\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kyoto speaks - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" \/>\n<meta property=\"og:description\" content=\"Of the 58&nbsp; Kyoto residents we interviewed in \u201cKyoto Speaks,\u201d nearly every one lamented the way traditional culture was dying out before their very eyes. 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