{"id":234,"date":"2025-04-07T09:51:38","date_gmt":"2025-04-07T09:51:38","guid":{"rendered":"https:\/\/kyotographie-2025.kyotojournal.org\/?p=234"},"modified":"2025-04-08T06:35:10","modified_gmt":"2025-04-08T06:35:10","slug":"border","status":"publish","type":"post","link":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/border\/","title":{"rendered":"Border"},"content":{"rendered":"<p>2011\u5e74\u306e\u6771\u65e5\u672c\u5927\u9707\u707d\u3068\u5927\u6d25\u6ce2\u306e\u767a\u751f\u304b\u3089\u6570\u5e74\u5f8c\u3001\u5199\u771f\u5bb6\u30fb\u5409\u7530\u7e41\u306f\u305d\u306e\u9707\u707d\u30672\u4e07\u4eba\u306e\u547d\u304c\u5931\u308f\u308c\u305f\u5730\u57df\u3092\u8a2a\u308c\u305f\u3002\u6d77\u306b\u5411\u304b\u3063\u3066\u7948\u308b\u4eba\u3005\u306e\u59ff\u306b\u5fc3\u3092\u52d5\u304b\u3055\u308c\u3001\u5f7c\u306f\u5199\u771f\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u300eBORDER\u300f\u3092\u3001\u305d\u306e\u7948\u308a\u306b\u6367\u3052\u305f\u3002\u300c\u79c1\u306f\u5199\u771f\u306e\u4e2d\u3067\u7948\u308a\u306b\u79d8\u3081\u3089\u308c\u305f\u30a8\u30cd\u30eb\u30ae\u30fc\u3092\u8868\u73fe\u3057\u3088\u3046\u3068\u8a66\u307f\u307e\u3057\u305f\u3002\u7948\u308b\u3068\u3044\u3046\u884c\u70ba\u306f\u3001\u5e73\u548c\u3092\u9858\u3046\u4eba\u3005\u306b\u3068\u3063\u3066\u4e0d\u53ef\u6b20\u306a\u3082\u306e\u3060\u3068\u611f\u3058\u308b\u306e\u3067\u3059\u300d\u3068\u3001\u5f7c\u306f\u8ff0\u3079\u3066\u3044\u308b\u3002&nbsp;<\/p>\n\n\n\n<p>\u4f75\u305b\u3066\u53ce\u9332\u3055\u308c\u305f\u30a8\u30c3\u30bb\u30a4\u300e\u9b42\u306e\u901a\u308a\u9053\u300f\u306e\u4e2d\u3067\u3001\u4f5c\u5bb6\u30b8\u30e7\u30f3\u30fb\u30c0\u30b0\u30a4\u30eb\u306f\u3053\u3046\u8a18\u3057\u3066\u3044\u308b\u3002\u300c\u6d77\u5cb8\u306b\u7acb\u3064\u3068\u3001\u6ce2\u304c\u8a98\u3046\u3088\u3046\u306b\u8a9e\u308a\u304b\u3051\u3066\u304f\u308b\u2026 \u5e83\u304c\u308b\u6d77\u539f\u3092\u80cc\u666f\u306b\u3001\u30b7\u30f3\u30d7\u30eb\u3067\u3042\u308a\u306a\u304c\u3089\u512a\u96c5\u306a\u65e5\u672c\u306e\u9ce5\u5c45\u306e\u8c61\u5fb4\u7684\u306a\u5f62\u304c\u3001\u898b\u3048\u3056\u308b\u4e16\u754c\u3078\u306e\u901a\u308a\u9053\u3092\u793a\u3057\u3066\u3044\u307e\u3059\u3002\u3053\u306e\u9580\u306a\u304d\u9580\u306f\u3001\u65e5\u5e38\u3068\u8056\u306a\u308b\u4e16\u754c\u3068\u306e\u8c61\u5fb4\u7684\u306a\u5883\u754c\u3092\u793a\u3057\u3001\u9b42\u306e\u4e16\u754c\u3078\u3068\u901a\u3058\u308b\u5165\u308a\u53e3\u3068\u306a\u3063\u3066\u3044\u307e\u3059\u3002\u300d\u5409\u7530\u306e\u98a8\u666f\u306f\u3001\u79c1\u305f\u3061\u3092\u3053\u306e\u898b\u3048\u3056\u308b\u4e16\u754c\u3078\u3068\u5f15\u304d\u8fbc\u3093\u3067\u3044\u304f\u3002<\/p>\n\n\n\n<p>\u5409\u7530\u306f\u4e16\u754c\u4e2d\u306e\u6a39\u6728\u3092\u64ae\u5f71\u3059\u308b\u3053\u3068\u3067\u77e5\u3089\u308c\u3001\u8457\u66f8\u306b<em>&nbsp;<\/em><em>\u300e\u5730\u7403\u6700\u5f8c\u306e\u5de8\u6a39\u300f&nbsp;<\/em>\u3084&nbsp;<em>\u300e\u65e5\u672c\u907a\u7523\u6700\u5f8c\u306e\u5de8\u6a39\u300f\u304c\u3042\u308b\u3002<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>A few years after the Great East Japan Earthquake and Tsunami of 2011, photographer Yoshida Shigeru visited the area where 20,000 people lost their lives. Inspired by the sight of people praying towards the sea, he dedicated his photographic project, \u201cBorder,\u201d&nbsp;to their prayers. Yoshida writes, \u201cI try to express the hidden energy of prayer in my photographs. For me the act of praying is vital for people who long for peace.\u201d&nbsp; In his accompanying essay, \u201cSpirit Pathways,\u201d author John Dougill writes, \u201cStand on a seashore and the waves call to us in seductive tones&#8230;&nbsp;&nbsp;Set against the swelling expanse,&nbsp;theevocative shape of a Japanese torii, simple but graceful, frames a pathway to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":235,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-234","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kyotography-sharing-visions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Border - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/border\/\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Border - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" \/>\n<meta property=\"og:description\" content=\"A few years after the Great East Japan Earthquake and Tsunami of 2011, photographer Yoshida Shigeru visited the area where 20,000 people lost their lives. 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