{"id":33,"date":"2025-03-13T13:35:36","date_gmt":"2025-03-13T13:35:36","guid":{"rendered":"https:\/\/kyotographie-2025.kyotojournal.org\/?p=33"},"modified":"2025-03-31T12:41:52","modified_gmt":"2025-03-31T12:41:52","slug":"documenting-minamata-with-eugene-smith","status":"publish","type":"post","link":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/documenting-minamata-with-eugene-smith\/","title":{"rendered":"\u30e6\u30fc\u30b8\u30f3\u30fb\u30b9\u30df\u30b9\u3068\u6c34\u4fe3\u3092\u8a18\u9332\u3059\u308b"},"content":{"rendered":"<div class=\"article-caption\">\n    <p>\u5143\u6751\u3055\u3093\u304c\u300c\u6c34\u4fe3\u3068\u3044\u3046\u3068\u3053\u308d\u304c\u3042\u308b\u3002\u5199\u771f\u3092\u64ae\u308a\u306b\u884c\u304d\u305f\u3044\u3067\u3059\u304b\u300d\u3068\u8a00\u3063\u305f\u3068\u304d\u3001\u521d\u3081\u3066\u516c\u5bb3\u3067\u4eba\u304c\u6b7b\u306c\u3068\u3044\u3046\u3053\u3068\u3092\u805e\u3044\u305f\u306e\u3067\u3059\u3002\u305d\u306e\u77ac\u9593\u3001\u300c\u884c\u304d\u305f\u3044\u3067\u3059\u300d\u3068\u79c1\u3082\u30e6\u30fc\u30b8\u30f3\u3082\u7b54\u3048\u307e\u3057\u305f\u3002<\/p>\n\n<\/div>\n\n\n<p>\u3053\u306e\u5199\u771f\u306f\u30011972\u5e74\u306b\u4e0a\u6751\u3055\u3093\u305f\u3061\u306e\u304a\u5bb6\u3067\u5915\u98df\u5f8c\u64ae\u3063\u305f\u5199\u771f\u3067\u3059\u3002\u64ae\u5f71\u30d1\u30fc\u30c8\u30ca\u30fc\u3067\u3042\u308a\u592b\u3067\u3082\u3042\u308b\u30e6\u30fc\u30b8\u30f3\u3068\u79c1\u306f\u3001\u3053\u3053\u304b\u3089\u6570\u5206\u306e\u3068\u3053\u308d\u306b\u4f4f\u3093\u3067\u3044\u307e\u3057\u305f\u3002\u6bcd\u89aa\u306e\u826f\u5b50\u3055\u3093\u306f\u80ce\u5150\u6027\u6c34\u4fe3\u75c5\u3092\u60a3\u3063\u3066\u3044\u308b\u9577\u5973\u306e\u667a\u5b50\u3061\u3083\u3093\u3092\u62b1\u3044\u3066\u3044\u307e\u3059\u3002\u6c34\u4fe3\u306e\u591a\u304f\u306e\u4eba\u3005\u3068\u540c\u69d8\u3001\u5316\u5b66\u4f1a\u793e\u30c1\u30c3\u30bd\u304b\u3089\u306e\u6392\u6c34\u306b\u3088\u308a\u3001\u6c34\u4fe3\u6e7e\u306e\u9b5a\u304c\u30e1\u30c1\u30eb\u6c34\u9280\u3067\u6c5a\u67d3\u3055\u308c\u3066\u3044\u308b\u3053\u3068\u3092\u77e5\u3089\u306a\u304b\u3063\u305f\u306e\u3067\u3059\u3002<\/p>\n\n\n\n<p>1971\u5e74\u3001\u30af\u30ea\u30b9\u30de\u30b9\u30a4\u30d6\u304c\u8fd1\u3065\u304f\u3042\u306e\u65e5\u3001\u50be\u304d\u306f\u3058\u3081\u308b\u592a\u967d\u306e\u5149\u304c\u7a93\u304b\u3089\u305d\u305d\u304e\u3001\u30e6\u30fc\u30b8\u30f3\u304c\u300c\u5165\u6d74\u3059\u308b\u6bcd\u3068\u5b50\u300d\u306e\u5199\u771f\u3092\u64ae\u3063\u305f\u3068\u304d\u306e\u9759\u3051\u3055\u3092\u5fd8\u308c\u308b\u3053\u3068\u306f\u3042\u308a\u307e\u305b\u3093\u3002\u6e6f\u8239\u306e\u6c34\u304c\u63fa\u308c\u308b\u304b\u3059\u304b\u306a\u97f3\u3001\u30e6\u30fc\u30b8\u30f3\u306e\u606f\u3092\u5438\u3044\u8fbc\u307f\u6291\u3048\u308b\u97f3\u3001\u305d\u3057\u3066\u30ab\u30e1\u30e9\u306e\u30b7\u30e3\u30c3\u30bf\u30fc\u304c\u62bc\u3055\u308c\u3066\u3044\u304f\u97f3\u3001\u3001\u3002\u5f8c\u306b\u826f\u5b50\u3055\u3093\u306f\u3001NHK\u306e\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\u3067\u300c\u3053\u306e\u82e6\u3057\u307f\u306f\u898b\u3066\u3082\u3089\u308f\u306a\u3051\u308c\u3070\u5206\u304b\u3063\u3066\u3082\u3089\u3048\u306a\u3044\u300d\u3068\u8a9e\u3063\u3066\u3044\u307e\u3059\u3002\u667a\u5b50\u3061\u3083\u3093\u306e\u7fcc\u5e74\u306b\u751f\u307e\u308c\u305f\u59b9\u3055\u3093\u304c\u3001\u534a\u4e16\u7d00\u7d4c\u3063\u305f\u4eca\u3001\u5bb6\u65cf\u306b\u3068\u3063\u3066\u3082\u3063\u3068\u3082\u30d7\u30e9\u30a4\u30d9\u30fc\u30c8\u306a\u3068\u3053\u308d\u306b\u5916\u304b\u3089\u4eba\u304c\u8a2a\u308c\u5199\u771f\u3092\u64ae\u3089\u308c\u308b\u8907\u96d1\u306a\u6c17\u6301\u3061\u3092\u8a9e\u3063\u3066\u304f\u308c\u3066\u3044\u307e\u3059\u30fb\u30fb\u30fb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"848\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/aileen-1024x848.webp\" alt=\"\" class=\"wp-image-35\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/aileen-1024x848.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/aileen-300x249.webp 300w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/aileen-768x636.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/aileen-1536x1272.webp 1536w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/aileen-2048x1696.webp 2048w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/aileen-14x12.webp 14w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Photo by Aileen M. Smith \u2013 \u00a9Aileen Mioko Smith<\/figcaption><\/figure>\n\n\n\n<p>\u3053\u3053\u3067\u306f\u3001\u667a\u5b50\u3061\u3083\u3093\u3092\u62b1\u3044\u3066\u3044\u308b\u826f\u5b50\u3055\u3093\u306e\u307e\u308f\u308a\u306b\u516d\u4eba\u306e\u5b50\u3069\u3082\u305f\u3061\u3068\u592b\u306e\u597d\u7537\u3055\u3093\u304c\u5199\u3063\u3066\u3044\u307e\u3059\u3002\u5f8c\u308d\u306b\u3044\u308b\u30e6\u30fc\u30b8\u30f3\u306e\u96a3\u306b\u306f <em>\u671d\u65e5\u30ab\u30e1\u30e9 <\/em>\u306e\u7de8\u96c6\u8005\u3001\u53f3\u5074\u306b\u306f\u3001\u5287\u4f5c\u5bb6\u3067\u4ff3\u512a\u306e\u7802\u7530\u660e\u3055\u3093\u3068\u59bb\u306e\u30a8\u30df\u5b50\u3055\u3093\u304c\u3044\u307e\u3059\u3002\u5f7c\u3089\u306e\u53f3\u5074\u306b\u306f\u3001\u540c\u3058\u304f\u6771\u4eac\u304b\u3089\u6765\u305f\u7d00\u7f8e\u4ee3\u3055\u3093\u304c\u5199\u3063\u3066\u3044\u307e\u3059\u3002\u5f7c\u5973\u306f\u60a3\u8005\u3055\u3093\u3092\u652f\u63f4\u3059\u308b\u305f\u3081\u6c34\u4fe3\u3092\u8a2a\u308c\u3001\u4eca\u3082\u6c34\u4fe3\u306b\u4f4f\u307f\u652f\u63f4\u3092\u7d9a\u3051\u3066\u3044\u307e\u3059\u3002<\/p>\n\n\n\n<p>\u79c1\u306b\u3068\u3063\u3066\u3001\u3053\u306e\u5199\u771f\u306f\u591a\u304f\u306e\u610f\u5473\u3092\u6301\u3063\u3066\u3044\u307e\u3059\u3002\u5199\u771f\u306b\u5199\u3063\u3066\u3044\u308b\u307f\u3093\u306a\u306e\u8868\u60c5\uff64\u307f\u3093\u306a\u3067\u3044\u305f\u3060\u3044\u305f\u826f\u5b50\u3055\u3093\u304c\u4f5c\u3063\u305f\u7f8e\u5473\u3057\u3044\u5915\u98df\u3001\u4eba\u3068\u4eba\u3092\u3064\u306a\u3050\u3082\u306e\u306e\u672c\u8cea\u3002\u3053\u306e\u5199\u771f\u304c\u64ae\u3089\u308c\u3066\u304b\u3089\u534a\u4e16\u7d00\u304c\u7d4c\u3063\u305f\u4eca\u3001\u3088\u308a\u6df1\u304f\u5b9f\u611f\u3059\u308b\u3088\u3046\u306b\u306a\u308a\u307e\u3057\u305f\u2015\u2015\u4e0a\u6751\u3055\u3093\u305f\u3061\u304c\u7570\u306a\u308b\u30d0\u30c3\u30af\u30b0\u30e9\u30a6\u30f3\u30c9\u3092\u6301\u3064\u5916\u90e8\u304b\u3089\u306e\u4eba\u3005\u3092\u53d7\u3051\u5165\u308c\u3001\u5bb6\u5ead\u306e\u4e2d\u306b\u8fce\u3048\u5165\u308c\u305f\u3053\u3068\u3002\u81ea\u5206\u305f\u3061\u306e\u3068\u3066\u3082\u30d1\u30fc\u30bd\u30ca\u30eb\u306a\u30b9\u30c8\u30fc\u30ea\u30fc\u3092\u59d4\u306d\u3066\u304f\u308c\u305f\u3002\u305d\u308c\u306b\u3088\u3063\u3066\u3001\u5f53\u6642\u306e\u4e16\u9593\u306e\u7121\u77e5\u3068\u7121\u95a2\u5fc3\u3068\u3044\u3046\u58c1\u3092\u7a81\u7834\u3057\u3001\u65e5\u672c\u4e2d\u3001\u305d\u3057\u3066\u4e16\u754c\u306e\u4eba\u3005\u306b\u6c34\u4fe3\u3067\u4f55\u304c\u8d77\u3053\u3063\u305f\u304b\u304c\u4f1d\u308f\u3063\u305f\u3002\u79c1\u305f\u3061\u5916\u306e\u4eba\u9593\u306b\u306f\u3001\u5f7c\u3089\u306e\u82e6\u3057\u307f\u3092\u672c\u5f53\u306b\u7406\u89e3\u3059\u308b\u3053\u3068\u306f\u6c7a\u3057\u3066\u3067\u304d\u306a\u304b\u3063\u305f\u3067\u3057\u3087\u3046\u3002\u3057\u304b\u3057\u3001\u305d\u308c\u3067\u3082\u5f7c\u3089\u306f\u79c1\u305f\u3061\u3092\u53d7\u3051\u5165\u308c\u305f\u306e\u3067\u3059\u3002<\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>I took this photograph after dinner with the Kamimura family at their home in Minamata in 1972. My photography partner and husband, Eugene Smith, and I lived just a few minutes away. Kamimura Yoshiko is holding her eldest daughter, Tomoko, afflicted with congenital Minamata disease. Like so many others in Minamata, Yoshiko didn\u2019t know that fish from Minamata Bay were contaminated with methylmercury effluents from the Japanese chemical company, Chisso. I will never forget the stillness as the late sun streamed through the window on that late afternoon just before Christmas Eve, 1971, when Gene took the photograph, \u201cTomoko and Mother in the Bath.\u201d There was just the slight sound [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":35,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-33","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kyotography-sharing-visions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Documenting Minamata with Eugene Smith - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/documenting-minamata-with-eugene-smith\/\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Documenting Minamata with Eugene Smith - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" \/>\n<meta property=\"og:description\" content=\"I took this photograph after dinner with the Kamimura family at their home in Minamata in 1972. My photography partner and husband, Eugene Smith, and I lived just a few minutes away. Kamimura Yoshiko is holding her eldest daughter, Tomoko, afflicted with congenital Minamata disease. Like so many others in Minamata, Yoshiko didn\u2019t know that fish from Minamata Bay were contaminated with methylmercury effluents from the Japanese chemical company, Chisso. I will never forget the stillness as the late sun streamed through the window on that late afternoon just before Christmas Eve, 1971, when Gene took the photograph, \u201cTomoko and Mother in the Bath.\u201d There was just the slight sound [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/documenting-minamata-with-eugene-smith\/\" \/>\n<meta property=\"og:site_name\" content=\"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/kyoto.journal\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-03-13T13:35:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-31T12:41:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/aileen.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"2301\" \/>\n\t<meta property=\"og:image:height\" content=\"1906\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"david-emrich\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u57f7\u7b46\u8005\" \/>\n\t<meta name=\"twitter:data1\" content=\"david-emrich\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u63a8\u5b9a\u8aad\u307f\u53d6\u308a\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"3\u5206\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/documenting-minamata-with-eugene-smith\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/documenting-minamata-with-eugene-smith\\\/\"},\"author\":{\"name\":\"david-emrich\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#\\\/schema\\\/person\\\/c5eb590b8e37c47e9789cd18974c0571\"},\"headline\":\"Documenting Minamata with Eugene Smith\",\"datePublished\":\"2025-03-13T13:35:36+00:00\",\"dateModified\":\"2025-03-31T12:41:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/documenting-minamata-with-eugene-smith\\\/\"},\"wordCount\":384,\"publisher\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/documenting-minamata-with-eugene-smith\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/aileen.webp\",\"articleSection\":[\"Kyotography - Sharing Visions\"],\"inLanguage\":\"ja\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/documenting-minamata-with-eugene-smith\\\/\",\"url\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/documenting-minamata-with-eugene-smith\\\/\",\"name\":\"Documenting Minamata with Eugene Smith - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/documenting-minamata-with-eugene-smith\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/documenting-minamata-with-eugene-smith\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/aileen.webp\",\"datePublished\":\"2025-03-13T13:35:36+00:00\",\"dateModified\":\"2025-03-31T12:41:52+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/documenting-minamata-with-eugene-smith\\\/#breadcrumb\"},\"inLanguage\":\"ja\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/documenting-minamata-with-eugene-smith\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ja\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/documenting-minamata-with-eugene-smith\\\/#primaryimage\",\"url\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/aileen.webp\",\"contentUrl\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/aileen.webp\",\"width\":2301,\"height\":1906},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/documenting-minamata-with-eugene-smith\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Documenting Minamata with Eugene Smith\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#website\",\"url\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/\",\"name\":\"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"ja\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#organization\",\"name\":\"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\",\"url\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ja\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/KJ-logo-black.png\",\"contentUrl\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/KJ-logo-black.png\",\"width\":600,\"height\":191,\"caption\":\"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\"},\"image\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/kyoto.journal\\\/\",\"https:\\\/\\\/www.instagram.com\\\/kyoto__journal\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#\\\/schema\\\/person\\\/c5eb590b8e37c47e9789cd18974c0571\",\"name\":\"david-emrich\",\"sameAs\":[\"http:\\\/\\\/kyotographie-2025.kyotojournal.org\"],\"url\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/ja\\\/author\\\/david-emrich\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Documenting Minamata with Eugene Smith - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/documenting-minamata-with-eugene-smith\/","og_locale":"ja_JP","og_type":"article","og_title":"Documenting Minamata with Eugene Smith - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","og_description":"I took this photograph after dinner with the Kamimura family at their home in Minamata in 1972. My photography partner and husband, Eugene Smith, and I lived just a few minutes away. Kamimura Yoshiko is holding her eldest daughter, Tomoko, afflicted with congenital Minamata disease. Like so many others in Minamata, Yoshiko didn\u2019t know that fish from Minamata Bay were contaminated with methylmercury effluents from the Japanese chemical company, Chisso. I will never forget the stillness as the late sun streamed through the window on that late afternoon just before Christmas Eve, 1971, when Gene took the photograph, \u201cTomoko and Mother in the Bath.\u201d There was just the slight sound [&hellip;]","og_url":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/documenting-minamata-with-eugene-smith\/","og_site_name":"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","article_publisher":"https:\/\/www.facebook.com\/kyoto.journal\/","article_published_time":"2025-03-13T13:35:36+00:00","article_modified_time":"2025-03-31T12:41:52+00:00","og_image":[{"width":2301,"height":1906,"url":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/aileen.webp","type":"image\/jpeg"}],"author":"david-emrich","twitter_card":"summary_large_image","twitter_misc":{"\u57f7\u7b46\u8005":"david-emrich","\u63a8\u5b9a\u8aad\u307f\u53d6\u308a\u6642\u9593":"3\u5206"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/documenting-minamata-with-eugene-smith\/#article","isPartOf":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/documenting-minamata-with-eugene-smith\/"},"author":{"name":"david-emrich","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#\/schema\/person\/c5eb590b8e37c47e9789cd18974c0571"},"headline":"Documenting Minamata with Eugene Smith","datePublished":"2025-03-13T13:35:36+00:00","dateModified":"2025-03-31T12:41:52+00:00","mainEntityOfPage":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/documenting-minamata-with-eugene-smith\/"},"wordCount":384,"publisher":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#organization"},"image":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/documenting-minamata-with-eugene-smith\/#primaryimage"},"thumbnailUrl":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/aileen.webp","articleSection":["Kyotography - Sharing Visions"],"inLanguage":"ja"},{"@type":"WebPage","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/documenting-minamata-with-eugene-smith\/","url":"https:\/\/kyotographie-2025.kyotojournal.org\/documenting-minamata-with-eugene-smith\/","name":"Documenting Minamata with Eugene Smith - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","isPartOf":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/documenting-minamata-with-eugene-smith\/#primaryimage"},"image":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/documenting-minamata-with-eugene-smith\/#primaryimage"},"thumbnailUrl":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/aileen.webp","datePublished":"2025-03-13T13:35:36+00:00","dateModified":"2025-03-31T12:41:52+00:00","breadcrumb":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/documenting-minamata-with-eugene-smith\/#breadcrumb"},"inLanguage":"ja","potentialAction":[{"@type":"ReadAction","target":["https:\/\/kyotographie-2025.kyotojournal.org\/documenting-minamata-with-eugene-smith\/"]}]},{"@type":"ImageObject","inLanguage":"ja","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/documenting-minamata-with-eugene-smith\/#primaryimage","url":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/aileen.webp","contentUrl":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/aileen.webp","width":2301,"height":1906},{"@type":"BreadcrumbList","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/documenting-minamata-with-eugene-smith\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/kyotographie-2025.kyotojournal.org\/"},{"@type":"ListItem","position":2,"name":"Documenting Minamata with Eugene Smith"}]},{"@type":"WebSite","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#website","url":"https:\/\/kyotographie-2025.kyotojournal.org\/","name":"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","description":"","publisher":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/kyotographie-2025.kyotojournal.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"ja"},{"@type":"Organization","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#organization","name":"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal","url":"https:\/\/kyotographie-2025.kyotojournal.org\/","logo":{"@type":"ImageObject","inLanguage":"ja","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#\/schema\/logo\/image\/","url":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/05\/KJ-logo-black.png","contentUrl":"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/05\/KJ-logo-black.png","width":600,"height":191,"caption":"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal"},"image":{"@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/kyoto.journal\/","https:\/\/www.instagram.com\/kyoto__journal\/"]},{"@type":"Person","@id":"https:\/\/kyotographie-2025.kyotojournal.org\/#\/schema\/person\/c5eb590b8e37c47e9789cd18974c0571","name":"david-emrich","sameAs":["http:\/\/kyotographie-2025.kyotojournal.org"],"url":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/author\/david-emrich\/"}]}},"_links":{"self":[{"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/posts\/33","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/comments?post=33"}],"version-history":[{"count":10,"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/posts\/33\/revisions"}],"predecessor-version":[{"id":167,"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/posts\/33\/revisions\/167"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/media\/35"}],"wp:attachment":[{"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/media?parent=33"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/categories?post=33"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/wp-json\/wp\/v2\/tags?post=33"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}