{"id":71,"date":"2025-03-31T06:38:45","date_gmt":"2025-03-31T06:38:45","guid":{"rendered":"https:\/\/kyotographie-2025.kyotojournal.org\/?p=71"},"modified":"2025-03-31T06:39:49","modified_gmt":"2025-03-31T06:39:49","slug":"chasing-the-dragon","status":"publish","type":"post","link":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/chasing-the-dragon\/","title":{"rendered":"\u30c1\u30a7\u30a4\u30b7\u30f3\u30b0\u30fb\u30b6\u30fb\u30c9\u30e9\u30b4\u30f3"},"content":{"rendered":"<div class=\"article-caption\">\n    <p>\u300c\u4eba\u9593\u304c\u4e16\u754c\u306b\u5bfe\u3057\u3066\u3069\u306e\u3088\u3046\u306a\u4fa1\u5024\u3042\u308b\u8ca2\u732e\u3092\u3057\u305f\u304b\u3092\u64ae\u5f71\u3057\u305f\u3044\u3068\u601d\u3063\u305f\u3002\u5ead\u5712\u306f\u3001\u305d\u306e\u624b\u59cb\u3081\u3068\u3057\u3066\u3075\u3055\u308f\u3057\u3044\u5834\u6240\u306e\u3088\u3046\u306b\u601d\u3048\u305f\u3002\u300d<br \/>\nGardens seemed like a good place to begin.<\/p>\n\n<\/div>\n\n\n<p>\u7c73\u56fd\u30b3\u30ed\u30e9\u30c9\u5dde\u3001\u30dc\u30eb\u30c0\u30fc\u3092\u62e0\u70b9\u3068\u3057\u305f\u5199\u771f\u5bb6\u306e\u30a6\u30a3\u30ea\u30a2\u30e0\u30fb\u30b3\u30fc\u30ea\u30fc\u306f\u30011974\u5e74\u304b\u30892007\u5e74\u306b\u304b\u3051\u3066\u307b\u307c\u6bce\u5e74\u4eac\u90fd\u3092\u8a2a\u308c\u3001\u4eac\u90fd\u306e\u4f1d\u7d71\u7684\u306a\u5ead\u5712\u3092600\u679a\u4ee5\u4e0a\u306e\u30ab\u30e9\u30fc\u30cd\u30ac\u3067\u64ae\u5f71\u3057\u305f\u3002\u5f7c\u306f\u91ce\u5916\u64ae\u5f71\u7528\u306b\u6539\u9020\u3057\u305f\u30b3\u30ed\u30ca\u306e\u5927\u578b8\u00d720\u30a4\u30f3\u30c1\u30fb\u30d3\u30e5\u30fc\u30ab\u30e1\u30e9\u3092\u4f7f\u7528\u3057\u305f\u3002\u3053\u306e\u91cd\u304f\u6271\u3044\u306b\u304f\u3044\u6a5f\u6750\u306f\u300120\u4e16\u7d00\u521d\u982d\u306b\u5bb4\u4f1a\u3067\u5927\u4eba\u6570\u306e\u6a2a\u578b\u5199\u771f\u3092\u64ae\u308b\u305f\u3081\u306b\u4f7f\u308f\u308c\u3066\u3044\u305f\u304c\u3001\u30b3\u30fc\u30ea\u30fc\u306b\u3068\u3063\u3066\u306f\u5ead\u5712\u306e\u5e83\u304c\u308a\u3092\u30d1\u30ce\u30e9\u30de\u3067\u6349\u3048\u308b\u306e\u306b\u7406\u60f3\u7684\u306a\u30c4\u30fc\u30eb\u3060\u3063\u305f\u3002&nbsp;&nbsp;<\/p>\n\n\n\n<p>\u30d3\u30e5\u30fc\u30ab\u30e1\u30e9\u306f\u3001\u5199\u771f\u5bb6\u306b\u5353\u8d8a\u3057\u305f\u5fae\u8abf\u6574\u3068\u9069\u5fdc\u6027\u3092\u63d0\u4f9b\u3059\u308b\u3002\u719f\u7df4\u3057\u305f\u5199\u771f\u5bb6\u3067\u3042\u308c\u3070\u3001\u9060\u8fd1\u611f\u306e\u8abf\u6574\u3092\u5782\u76f4\u30fb\u6c34\u5e73\u65b9\u5411\u306e\u4e21\u65b9\u3067\u884c\u3046\u3053\u3068\u304c\u3067\u304d\u3001\u307e\u305f\u3001\u7126\u70b9\u9762\u3092\u30b3\u30f3\u30c8\u30ed\u30fc\u30eb\u3059\u308b\u3053\u3068\u3067\u3001\u524d\u666f\u304b\u3089\u80cc\u666f\u307e\u3067\u5b8c\u74a7\u306a\u30b7\u30e3\u30fc\u30d7\u30cd\u30b9\u3092\u5b9f\u73fe\u3067\u304d\u308b\u3002\u30b3\u30fc\u30ea\u30fc\u306f\u3001\u5fb9\u5e95\u3057\u305f\u3053\u3060\u308f\u308a\u3092\u6301\u3063\u3066\u64ae\u5f71\u306b\u81e8\u3093\u3060\u3002\u5f7c\u306f\u4e8b\u524d\u6e96\u5099\u3068\u3057\u3066\u6570\u9031\u9593\u306b\u308f\u305f\u308a\u5b9a\u671f\u7684\u306b\u5ead\u5712\u3092\u8a2a\u308c\u3001\u4e00\u65e5\u3092\u901a\u3057\u3066\u5149\u304c\u3069\u306e\u3088\u3046\u306b\u5909\u5316\u3059\u308b\u304b\u3092\u7814\u7a76\u3057\u3001\u6700\u9069\u306a\u77ac\u9593\u3092\u898b\u6975\u3081\u305f\u3002\u8457\u66f8 <em>\u300eA Passing Shadow\u300f <\/em>\u306e\u4e2d\u3067\u3001\u5f7c\u306f\u5168\u3066\u304c\u3042\u308b\u3079\u304d\u5834\u6240\u306b\u53ce\u307e\u3063\u305f\u6642\u306b\u3001\u307e\u308b\u3067\u4f55\u304b\u304c\u30b7\u30e3\u30c3\u30bf\u30fc\u3092\u5207\u308c\u3068\u56c1\u304f\u3088\u3046\u306a\u3001\u307b\u307c\u795e\u79d8\u7684\u3068\u3082\u8a00\u3048\u308b\u4f53\u9a13\u306b\u3064\u3044\u3066\u8a9e\u3063\u3066\u3044\u308b\u3002<\/p>\n\n\n\n<p>2006\u5e744\u6708\u3001\u30b3\u30fc\u30ea\u30fc\u306f\u7279\u6b8a\u306a\u764c\u3068\u8a3a\u65ad\u3055\u308c\u305f\u3002\u624b\u8853\u306b\u3088\u3063\u3066\u4e00\u547d\u3092\u53d6\u308a\u7559\u3081\u305f\u3082\u306e\u306e\u3001\u4f53\u306f\u8870\u5f31\u3057\u3066\u3057\u307e\u3063\u305f\u3002\u3057\u304b\u3057\u3001\u59bb\u3067\u3042\u308a\u52a9\u624b\u3067\u3082\u3042\u308b\u8db3\u7acb\u601c\u672a\u3068\u533b\u5e2b\u305f\u3061\u306f\u3001\u518d\u3073\u4eac\u90fd\u306b\u623b\u308a\u5199\u771f\u3092\u64ae\u308b\u3088\u3046\u306b\u5f7c\u3092\u52b1\u307e\u3057\u305f\u3002\u3084\u3063\u3068\u65e5\u672c\u306b\u623b\u3063\u3066\u3053\u308c\u305f\u3068\u304d\u3001\u30b3\u30fc\u30ea\u30fc\u306f\u300c\u3053\u3053\u307e\u3067\u6765\u305f\u306e\u306b\u3001\u5199\u771f\u3092\u64ae\u308b\u3053\u3068\u304c\u3067\u304d\u306a\u3044\u304b\u3082\u3057\u308c\u306a\u3044\u300d\u3068\u7d76\u671b\u3057\u3066\u3044\u305f\u69d8\u5b50\u3092\u601c\u672a\u306f\u632f\u308a\u8fd4\u308b\u3002\u3057\u304b\u3057\u3001\u8a69\u4ed9\u5802\u3092\u518d\u8a2a\u3059\u308b\u3068\u3001\u5f7c\u306f\u76ee\u306e\u8f1d\u304d\u3092\u53d6\u308a\u623b\u3057\u305f\u305d\u3046\u3060\u3002\u305d\u306e\u5f8c\u3001\u5f7c\u306f2\u304b\u6708\u9593\u3001\u9031\u306b3\u56de\u5ead\u5712\u3092\u8a2a\u308c\u3001\u3053\u306e\u4e00\u679a\u306e\u305f\u3081\u306b\u6e96\u5099\u3092\u91cd\u306d\u3001\u67f1\u3084\u77f3\u306e\u914d\u7f6e\u3092\u7d30\u304b\u304f\u691c\u8a0e\u3057\u306a\u304c\u3089\u69cb\u56f3\u3092\u7df4\u3063\u305f\u3002\u75c5\u3092\u60a3\u3063\u305f\u3053\u3068\u3067\u3001\u5f7c\u306f\u300c\u88ab\u5199\u4f53\u306b\u3088\u308a\u6df1\u304f\u5411\u304d\u5408\u3044\u3001\u8868\u9762\u7684\u306a\u98a8\u666f\u306e\u5965\u306b\u3042\u308b\u3082\u306e\u3092\u898b\u308b\u300d\u3088\u3046\u306b\u306a\u3063\u305f\u305d\u3046\u3060\u3002\u305d\u3057\u3066\u30012006\u5e7412\u67084\u65e5\u306e\u671d\u3001\u3053\u306e\u5199\u771f\u306f\u64ae\u5f71\u3055\u308c\u305f\u3002&nbsp;&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"738\" height=\"1024\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/william-corey-738x1024.webp\" alt=\"\" class=\"wp-image-73\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/william-corey-738x1024.webp 738w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/william-corey-216x300.webp 216w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/william-corey-768x1066.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/william-corey-1107x1536.webp 1107w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/william-corey-9x12.webp 9w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/william-corey.webp 1441w\" sizes=\"auto, (max-width: 738px) 100vw, 738px\" \/><\/figure>\n\n\n\n<p>2008\u5e74\u306b\u4ea1\u304f\u306a\u308b\u307e\u3067\u3001\u30b3\u30fc\u30ea\u30fc\u306f\u5199\u771f\u6a5f\u6750\u306e\u9650\u754c\u306b\u6311\u307f\u7d9a\u3051\u305f\u3002\u5f7c\u306fNASA\u306e\u30a8\u30f3\u30b8\u30cb\u30a2\u306e\u5354\u529b\u3092\u5f97\u3066\u3001\u4e16\u754c\u3067\u552f\u4e00\u306e\u7e26\u578b\u30bf\u30a4\u30d7\u306e20\u00d78<em> <\/em>\u30a4\u30f3\u30c1\u30ab\u30e1\u30e9\u3092\u7279\u6ce8\u88fd\u4f5c\u3057\u305f\u3002\u5f7c\u306e\u4f5c\u54c1\u30a2\u30fc\u30ab\u30a4\u30d6\u306f\u3001\u30de\u30b5\u30c1\u30e5\u30fc\u30bb\u30c3\u30c4\u5927\u5b66\u30a2\u30de\u30fc\u30b9\u30c8\u6821\u306eW.E.B. \u30c7\u30e5\u30dc\u30a4\u30b9\u56f3\u66f8\u9928\u306b\u6240\u8535\u3055\u308c\u3066\u3044\u308b\u3002\u307e\u305f\u3001\u5f7c\u306e\u4f5c\u54c1\u306f\u4e16\u754c\u4e2d\u3067\u9451\u8cde\u3055\u308c\u3066\u304a\u308a\u30011994\u5e74\u306b\u5929\u7687\u7687\u540e\u4e21\u965b\u4e0b\u304c\u30b3\u30ed\u30e9\u30c9\u5dde\u3092\u8a2a\u554f\u3055\u308c\u305f\u969b\u306b\u306f\u3001\u30b3\u30fc\u30ea\u30fc\u304c\u64ae\u5f71\u3057\u305f\u30ed\u30c3\u30ad\u30fc\u5c71\u8108\u56fd\u7acb\u516c\u5712\u306e\u5927\u578b\u30d1\u30ce\u30e9\u30de\u5199\u771f\u304c\u30b3\u30ed\u30e9\u30c9\u5dde\u304b\u3089\u732e\u4e0a\u3055\u308c\u305f\u3002&nbsp;<\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Boulder-based photographer William Corey visited Kyoto almost every year between 1974 and 2007, making over 600 color negatives of the city\u2019s classic gardens. He worked with a refurbished Korona 8\u201dx20\u201d view camera. This heavy and cumbersome tool was used in the early 1900s to photograph large groups at banquets, but Corey found it ideal to capture the panoramic sweep of the gardens.&nbsp;&nbsp; A view camera provides the photographer with exceptional nuance and flexibility; a skilled operator can adjust the perspective, on both vertical and horizontal axes, as well as the plane of focus, allowing perfect sharpness in the foreground and background. Corey was painstaking in his approach. He would visit [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":72,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-71","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kyotography-sharing-visions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Chasing the dragon - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/chasing-the-dragon\/\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chasing the dragon - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" \/>\n<meta property=\"og:description\" content=\"Boulder-based photographer William Corey visited Kyoto almost every year between 1974 and 2007, making over 600 color negatives of the city\u2019s classic gardens. He worked with a refurbished Korona 8\u201dx20\u201d view camera. This heavy and cumbersome tool was used in the early 1900s to photograph large groups at banquets, but Corey found it ideal to capture the panoramic sweep of the gardens.&nbsp;&nbsp; A view camera provides the photographer with exceptional nuance and flexibility; a skilled operator can adjust the perspective, on both vertical and horizontal axes, as well as the plane of focus, allowing perfect sharpness in the foreground and background. Corey was painstaking in his approach. He would visit [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/chasing-the-dragon\/\" \/>\n<meta property=\"og:site_name\" content=\"Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/kyoto.journal\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-03-31T06:38:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-31T06:39:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/corey.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"814\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"david-emrich\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u57f7\u7b46\u8005\" \/>\n\t<meta name=\"twitter:data1\" content=\"david-emrich\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u63a8\u5b9a\u8aad\u307f\u53d6\u308a\u6642\u9593\" \/>\n\t<meta name=\"twitter:data2\" content=\"3\u5206\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/chasing-the-dragon\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/chasing-the-dragon\\\/\"},\"author\":{\"name\":\"david-emrich\",\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#\\\/schema\\\/person\\\/c5eb590b8e37c47e9789cd18974c0571\"},\"headline\":\"Chasing the dragon\",\"datePublished\":\"2025-03-31T06:38:45+00:00\",\"dateModified\":\"2025-03-31T06:39:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/chasing-the-dragon\\\/\"},\"wordCount\":376,\"publisher\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/chasing-the-dragon\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/kyotographie-2025.kyotojournal.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/corey.webp\",\"articleSection\":[\"Kyotography - 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