{"id":79,"date":"2025-03-31T06:48:53","date_gmt":"2025-03-31T06:48:53","guid":{"rendered":"https:\/\/kyotographie-2025.kyotojournal.org\/?p=79"},"modified":"2025-04-14T04:32:17","modified_gmt":"2025-04-14T04:32:17","slug":"empty-kyoto","status":"publish","type":"post","link":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/empty-kyoto\/","title":{"rendered":"\u300c\u9591\u304b\u306a\u308b\u4eac\u90fd\u300d"},"content":{"rendered":"<div class=\"article-caption\">\n    <p>A new expression has entered local conversations: \u201ckank\u014d k\u014dgai,\u201d literally \u201csightseeing pollution\u201d&#8230; residents of Kyoto have been feeling that their city has been invaded and occupied.<\/p>\n\n<\/div>\n\n\n<p>2000\u5e74\u306e\u5199\u771f\u96c6 <em><a href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/tokyo-nobody\/\">\u300eTokyo Nobody\u300f<\/a><\/em>\u3067\u3001\u4e2d\u91ce\u6b63\u8cb4\u306f\u4e16\u754c\u3067\u6700\u3082\u4eba\u53e3\u306e\u591a\u3044\u90fd\u5e02\u3092\u7121\u4eba\u306e\u5149\u666f\u3068\u3057\u3066\u63cf\u5199\u3057\u305f\u3002\u9280\u5ea7\u3084\u6e0b\u8c37\u99c5\u3068\u3044\u3063\u305f\u3001\u4eba\u6df7\u307f\u3068\u6df7\u96d1\u306e\u4ee3\u540d\u8a5e\u3068\u3082\u3044\u3048\u308b\u540d\u6240\u304c\u3001\u4eba\u6c17\u306e\u306a\u3044\u3001\u9759\u307e\u308a\u8fd4\u3063\u305f\u59ff\u3067\u5199\u3057\u51fa\u3055\u308c\u3066\u3044\u308b\u300221\u4e16\u7d00\u306e\u5e55\u958b\u3051\u306b\u3042\u305f\u308a\u3001\u3053\u306e\u4e0d\u6c17\u5473\u306a\u6771\u4eac\u306e\u666f\u8272\u306f\u3001\u4eba\u53e3\u904e\u5bc6\u3001\u5730\u57df\u793e\u4f1a\u3001\u8fd1\u4ee3\u6027\u3001\u90fd\u5e02\u5316\u3001\u305d\u3057\u3066\u4f55\u3088\u308a\u3082\u3001\u4eba\u304c\u3044\u306a\u3044\u90fd\u5e02\u306e\u539f\u56e0\u306b\u306a\u308a\u5f97\u308b\u707d\u5bb3\u306b\u95a2\u3059\u308b\u591a\u304f\u306e\u554f\u3044\u3092\u6295\u3052\u304b\u3051\u305f\u3002\u4e2d\u91ce\u306f\u3053\u306e\u4e00\u898b\u4e0d\u53ef\u80fd\u3068\u3082\u601d\u3048\u308b\u90fd\u5e02\u98a8\u666f\u3092\u3001\u6839\u6c17\u5f37\u3044\u64ae\u5f71\u624b\u6cd5\u306b\u3088\u3063\u3066\u6349\u3048\u308b\u4e8b\u306b\u6210\u529f\u3057\u305f\u300210\u5e74\u4ee5\u4e0a\u306b\u6e21\u308a\u3001\u6700\u3082\u5bd2\u3044\u65e5\u306e\u65e9\u671d\u306b\u64ae\u5f71\u3092\u7d9a\u3051\u3001\u5b8c\u5168\u306b\u4eba\u5f71\u304c\u6d88\u3048\u308b\u3001\u305d\u306e\u552f\u4e00\u7121\u4e8c\u306e\u77ac\u9593\u3092\u6c42\u3081\u3066\u30ab\u30e1\u30e9\u3092\u69cb\u3048\u306a\u304c\u3089\u5f85\u3061\u7d9a\u3051\u305f\u3002\u307e\u308b\u3067\u5e0c\u5c11\u306a\u751f\u7269\u306e\u4e00\u77ac\u306e\u51fa\u73fe\u3092\u5f85\u3061\u69cb\u3048\u308b\u81ea\u7136\u5199\u771f\u5bb6\u306e\u3088\u3046\u306b\u3001\u5f7c\u306f\u90fd\u5e02\u98a8\u666f\u306e\u4e2d\u3067\u6700\u3082\u3042\u308a\u3075\u308c\u305f\u5b58\u5728\u3067\u3042\u308b\u300c\u4eba\u9593\u300d\u306e\u6d88\u5931\u3092\u3001\u8f9b\u62b1\u5f37\u304f\u5f85\u3061\u7d9a\u3051\u305f\u306e\u3060\u3002<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"473\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/tokyo-nobody-1024x473.webp\" alt=\"\" class=\"wp-image-77\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/tokyo-nobody-1024x473.webp 1024w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/tokyo-nobody-300x138.webp 300w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/tokyo-nobody-768x354.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/tokyo-nobody-1536x709.webp 1536w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/tokyo-nobody-18x8.webp 18w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/tokyo-nobody.webp 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>\u4e2d\u91ce\u304c\u57f7\u5ff5\u3068\u52aa\u529b\u306b\u3088\u3063\u3066\u7121\u4eba\u306e\u5927\u90fd\u5e02\u3092\u64ae\u5f71\u3057\u305f\u306e\u306b\u5bfe\u3057\u3001\u30c0\u30cb\u30a8\u30eb\u30fb\u30bd\u30fc\u30d5\u30a1\u30fc\u306e\u90fd\u5e02\u98a8\u666f <a href=\"https:\/\/hermosawavephotography.com\/emptykyoto\/home.html\" target=\"_blank\" rel=\"noreferrer noopener\"><em>\u300c\u9591\u304b\u306a\u308b\u4eac\u90fd\u300d<\/em><\/a> \u3092\u7a7a\u3063\u307d\u306b\u3057\u305f\u306e\u306f\u3001\u4e00\u751f\u306b\u4e00\u5ea6\u3042\u308b\u304b\u306a\u3044\u304b\u306e\u51fa\u6765\u4e8b\u2014\u2014\u56fd\u5883\u304c\u9589\u3056\u3055\u308c\u3001\u65c5\u884c\u304c\u505c\u6b62\u3057\u3001\u4eba\u3005\u306e\u79fb\u52d5\u304c\u5236\u9650\u3055\u308c\u305f\u4e16\u754c\u7684\u30d1\u30f3\u30c7\u30df\u30c3\u30af\u2014\u2014\u306b\u3088\u308b\u3082\u306e\u3060\u3063\u305f\u3002\u6b74\u53f2\u7684\u306a\u5bfa\u9662\u3084\u5ead\u5712\u3067\u540d\u9ad8\u3044\u4eac\u90fd\u306e\u8857\u306f\u3001\u8fd1\u5e74\u30aa\u30fc\u30d0\u30fc\u30c4\u30fc\u30ea\u30ba\u30e0\u306e\u72a0\u7272\u3068\u306a\u3063\u3066\u304d\u305f\u3002\u3057\u304b\u3057\u3001\u30d1\u30f3\u30c7\u30df\u30c3\u30af\u306e\u9593\u3001\u30bd\u30fc\u30d5\u30a1\u30fc\u306f\u89b3\u5149\u5ba2\u306e\u7fa4\u8846\u306b\u90aa\u9b54\u3055\u308c\u308b\u3053\u3068\u306a\u304f\u3001\u4eac\u90fd\u3092\u8c61\u5fb4\u3059\u308b\u540d\u6240\u3092\u64ae\u5f71\u3059\u308b\u3053\u3068\u304c\u3067\u304d\u305f\u3002\u6570\u4eba\u306e\u5730\u5143\u4f4f\u6c11\u3092\u9664\u3051\u3070\u3001\u5f7c\u306f\u307b\u307c\u5b8c\u5168\u306b\u7121\u4eba\u306e\u8857\u3092\u72ec\u308a\u5360\u3081\u3057\u3001\u6e05\u3089\u304b\u306a\u98a8\u666f\u3092\u30ab\u30e1\u30e9\u306b\u53ce\u3081\u305f\u3002\u798d\u3044\u306b\u3088\u3063\u3066\u3082\u305f\u3089\u3055\u308c\u305f\u5149\u666f\u3067\u306f\u3042\u308b\u3082\u306e\u306e\u3001 <em>\u300c\u9591\u304b\u306a\u308b\u4eac\u90fd\u300d<\/em> \u306e\u666f\u8272\u306b\u306f\u4e0d\u6c17\u5473\u3055\u306f\u306a\u3044\u3002\u4e2d\u91ce\u304c\u64ae\u5f71\u3057\u305f\u6771\u4eac\u306e\u666f\u8272\u3068\u306f\u7570\u306a\u308a\u3001\u3053\u306e\u9759\u5bc2\u306b\u5305\u307e\u308c\u305f\u4eac\u90fd\u306e\u98a8\u666f\u306f\u3001\u3080\u3057\u308d\u4eba\u6df7\u307f\u306e\u306a\u3044\u65b9\u304c\u81ea\u7136\u306b\u898b\u3048\u308b\u306e\u304b\u3082\u3057\u308c\u306a\u3044\u3002<br><\/p>","protected":false},"excerpt":{"rendered":"<p>In his 2000 photobook Tokyo Nobody, Nakano Masataka presented a vision of world\u2019s most populous city devoid of inhabitants. The Ginza, Shibuya Station\u2014famous locations synonymous with crowds and congestion\u2014were now seen deserted and still. At the turn of the 21st century, this eerie vision of Tokyo raised many questions about overpopulation, community, modernity, urbanization, and the specter of potential disasters. Nakano captured these seemingly impossible cityscapes through an assiduous practice: photographing for more than ten years in the early hours of the coldest mornings, being present with his camera and waiting, waiting\u2014waiting for the singular moment of complete human absence. Like a nature photographer anticipating the momentary appearance of a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":80,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-79","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kyotography-sharing-visions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Empty Kyoto - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/empty-kyoto\/\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Empty Kyoto - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" \/>\n<meta property=\"og:description\" content=\"In his 2000 photobook Tokyo Nobody, Nakano Masataka presented a vision of world\u2019s most populous city devoid of inhabitants. 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