{"id":82,"date":"2025-03-31T06:52:10","date_gmt":"2025-03-31T06:52:10","guid":{"rendered":"https:\/\/kyotographie-2025.kyotojournal.org\/?p=82"},"modified":"2025-04-14T04:46:35","modified_gmt":"2025-04-14T04:46:35","slug":"rice-enso-photograms","status":"publish","type":"post","link":"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/rice-enso-photograms\/","title":{"rendered":"\u7c73\u306e\u5186\u76f8\u306e\u30d5\u30a9\u30c8\u30b0\u30e9\u30e0"},"content":{"rendered":"<div class=\"article-caption\">\n    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<em>\u5186\u76f8<\/em> \uff08\u7985\u306b\u304a\u3051\u308b\u66f8\u753b\u306e1\u3064\uff09\u304c\u6d6e\u304b\u3073\u4e0a\u304c\u3063\u305f\u3002\u7b46\u3084\u30a4\u30f3\u30af\u3067\u63cf\u304b\u308c\u308b\u3053\u3068\u304c\u591a\u3044\u3053\u306e\u5f62\u306f\u3001\u5426\u5b9a\u3082\u80af\u5b9a\u3082\u793a\u3055\u306a\u3044\u3001\u7d14\u7c8b\u306a\u53ef\u80fd\u6027\u3060\u3051\u3092\u8868\u3057\u305f\u3082\u306e\u3067\u3042\u308b\u3002&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"820\" height=\"643\" src=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/Rice-Enso-1-3.webp\" alt=\"\" class=\"wp-image-195\" srcset=\"https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/Rice-Enso-1-3.webp 820w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/Rice-Enso-1-3-300x235.webp 300w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/Rice-Enso-1-3-768x602.webp 768w, https:\/\/kyotographie-2025.kyotojournal.org\/wp-content\/uploads\/2025\/03\/Rice-Enso-1-3-15x12.webp 15w\" sizes=\"auto, (max-width: 820px) 100vw, 820px\" \/><figcaption class=\"wp-element-caption\"><em>Upper left, clockwise: Fukushima Koshihikari, Niigata Koshihikari, Gifu unidentified, Unidentified<\/em><\/figcaption><\/figure>\n\n\n\n<p>\u30d8\u30c3\u30ab\u30fc\u30de\u30f3\u306f\u7c73\u3092\u4f7f\u3063\u305f\u3044\u304f\u3064\u3082\u306e\u5186\u76f8\u306e\u30d5\u30a9\u30c8\u30b0\u30e9\u30e0\u3092\u4f5c\u308a\u59cb\u3081\u305f\u3002\u7af9\u88fd\u306e\u304a\u9999\u306e\u5165\u308c\u7269\u304b\u3089\u3001\u611f\u5149\u6027\u306e\u7d19\u306e\u4e0a\u306b\u7c73\u3092\u96f6\u3059\u624b\u6cd5\u3092\u7528\u3044\u3066\u3001\u4ecf\u6559\u5f92\u304c\u4ecf\u5854\u306e\u307e\u308f\u308a\u3092\u5468\u884c\u3059\u308b\u3088\u3046\u306b\u3001\u305d\u308c\u305e\u308c\u306e\u5186\u306f\u6642\u8a08\u307e\u308f\u308a\u306b\u63cf\u304b\u308c\u308b\u30021\u65e5\u304c\u304b\u308a\u306e\u5370\u5237\u5de5\u7a0b\u306e\u9593\u3001100\u97f3\u7bc0\u306e\u91d1\u525b\u85a9\u57f5\u83e9\u85a9\u306e <em>\u30de\u30f3\u30c8\u30e9<\/em> 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irradiated. Rice is a foundation of Japanese culture, and this was a time of great fear and uncertainty. Believing rice to be a highly symbolic subject in this context, Murakami asked eight friends to send rice to Heckerman from various locations in Japan\u2014Niigata, Ibaraki, Akita, Fukushima, Aomori, Hokkaid\u014d, Miyagi, and Chiba. After some rumination, the enso (the Zen circle) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":83,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-82","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kyotography-sharing-visions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rice Enso photograms - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kyotographie-2025.kyotojournal.org\/ja\/rice-enso-photograms\/\" \/>\n<meta property=\"og:locale\" content=\"ja_JP\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rice Enso photograms - Kyoto Journal - Kyotographie - Sharing Visions - The Heartwork of Kyoto Journal\" \/>\n<meta property=\"og:description\" content=\"Following the earthquake and tsunami of March 11th, 2011, a letter arrived in photo-artist Ed Heckerman\u2019s inbox from a young Japanese friend, Murakami Iwauko, asking a favor: \u201cCan you make more artwork with rice?\u201d Following the collapse of the Fukushima reactor, many feared their rice, a daily staple, may have been irradiated. 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