For this striking image of Kyoto’s Jidai Matsuri, Svab repurposed an industrial linescan camera originally designed to detect defects in computer chips on a factory conveyor belt. The photo is composed of nearly 50,000 vertical lines, captured as the parade passed in front of the lens. These lines were stacked together like frames in a film, creating a stretched, motionless background where space is strangely frozen but the parade seems to walk through time.

Unlike with a traditional camera, this technique eliminates depth and perspective, and there is no vanishing point. Objects in the foreground appear foreshortened, while those in the background become elongated, giving the image a distorted surreal quality.

Though Svab used a vintage 1970s camera, the sensor behind it is cutting-edge technology, requiring a computer to process massive amounts of data in real time. Each vertical frame is about 7,500 pixels high, equivalent to a high-resolution camera, and represents one-sixthousandth of a second. With an exposure time of 20 to 40 seconds, the final image produces a mesmerizing ripple effect, as if revealing the passage of time itself.

Detailed view of image

website: 23degrees.net
instagram: @23afstudio

Read the articles of the exhibition

Kyoto speaks
ALLEN GINSBERG Issue 16

Kyoto speaks

The Death and Resurrection of Kyoto
JAMES HEATON and ANDY MUSELLI Issue 27

The Death and Resurrection of Kyoto

Time
LINDA CONNOR Issue 42

Time

The end of imagination
SHŌMEI TŌMATSU Issue 39

The end of imagination

Naked Festival
YATŌ TAMOTSU Issue 44

Naked Festival

This can’t last forever
KEN STRAITON Issue 53, Just Deeds

This can’t last forever

Interaction
YASU SUZUKA Issue 59

Interaction

Tokyo Nobody
NAKANO MASATAKA Issue 55 Streets

Tokyo Nobody

The things we’ve gone through together
GAIL GUTRADT Issue 68

The things we’ve gone through together

A short history of Kyoto
TOMAS SVAB Issue 70

A short history of Kyoto

The Age of this Place Gives a Cloak of Tenderness
MICAH GAMPEL Issue 70

The Age of this Place Gives a Cloak of Tenderness

Kajita Shinsho: The Path to Honen-In.
MATTHIAS LEY Issue 70

Kajita Shinsho: The Path to Honen-In.

Nishikawa Senrei, Nihonbuyo Dancer.
MATTHIAS LEY Issue 70

Nishikawa Senrei, Nihonbuyo Dancer.

The Kobayashis.
JOHN EINARSEN Issue 70

The Kobayashis.

Biodiversity
WAYNE LEVINE Issue 75 Biodiversity

Biodiversity

Rice Enso photograms
ED HECKERMAN Issue 83 Food

Rice Enso photograms

Hearing their voices
LANA ŠLEZIĆ Issue 76

Hearing their voices

Border
YOSHIDA SHIGERU Issue 90

Border

A Life Dedicated to Art
ROBERT VAN KOESVELD Issue 92 Devotion

A Life Dedicated to Art

Beauty and Power—A Remembrance of Jacqueline Hassink in Kyoto
LANE DIKO Issue 94

Beauty and Power—A Remembrance of Jacqueline Hassink in Kyoto

Chasing the dragon
WILLIAM COREY Issue 94 inspired by Kyoto

Chasing the dragon

Reenactment of Toyotomi Hideyoshi’s procession to meet the emperor in 1956, Jidai Matsuri
TOMAS SVAB Issue 94

Reenactment of Toyotomi Hideyoshi’s procession to meet the emperor in 1956, Jidai Matsuri

Empty Kyoto
DANIEL SOFER Issue 98

Empty Kyoto

OYAKO
BRUCE OSBORN Issue 97, Next Generations

OYAKO

Documenting Minamata with Eugene Smith
AILEEN MIOKO SMITH Issue 99

Documenting Minamata with Eugene Smith

The Jesup North Pacific Expedition
THE AMERICAN MUSEUM OF NATURAL HISTORY LIBRARY Issue 108, Fluidity

The Jesup North Pacific Expedition

The Light in Kyoto
Pico Iyer Issue 108

The Light in Kyoto

Miksang
JOHN EINARSEN Issue 109 Sharing Visions

Miksang

jaJA