KJ 92 “Devotion” features Robert van Koesveld’s intimate portrait of Tsunekazu, a senior geiko (as geisha are known in Kyoto) of the Gion Higashi geisha district. He was able to gain the trust of the karyukai, or “flower and willow world,” through repeated visits to Kyoto in the company of his translator. His book, Geiko & Maiko of Kyoto, explores all phases of the geisha life cycle, from her debut to old age, along with profiles of the proprietors of okiya (geisha houses) and ochaya (tea houses), teachers, dressers, hairdressers, kimono merchants and others who comprise a complex artistic ecosystem. A psychotherapist by training, he strove in this portrait to capture the quality of “presence” characteristic of a mature geiko, of which, he emphasizes, eroticism is only one element.  

Van Koesveld points out that while apprentice geisha, or maiko, garner the most attention, the “true artistry” of the geisha tradition is found “in the less ostentatious geiko.” Drifting into the profession in the wake of her vivacious older sister, Tsunekazu was rigorously trained as a dancer, but did not find her artistic calling until she outgrew “princess” roles and found she relished the un-glamorous character roles. When her two sisters married and left the okiya, Tsunekazu felt obligated to stay on. Working as an independent geisha, or jimaesan, during the boom years from 1960–1990, wealthy family businesses with generous expense accounts were plentiful and she had the luxury of performing for customers who were cultivated and discerning. As she grew older and her regular clients grew feeble and fewer in number, she worked mainly as a skilled jikata. or shamisen player, accompanying younger geiko and maiko. However, dancing in the yearly Odori recitals put on by each kagai, or geisha district, is what she lives for to this day. She remains a key shamisen player in her district and recently performed a solo in their annual Odori.

These photographs capture Tsunekazu’s poised elegance while serving as a visual testament to the years of rigorous training and discipline that underlie the geiko’s artistry.

Read the articles of the exhibition

Kyoto speaks
ALLEN GINSBERG Issue 16

Kyoto speaks

The Death and Resurrection of Kyoto
JAMES HEATON and ANDY MUSELLI Issue 27

The Death and Resurrection of Kyoto

Time
LINDA CONNOR Issue 42

Time

The end of imagination
SHŌMEI TŌMATSU Issue 39

The end of imagination

Naked Festival
YATŌ TAMOTSU Issue 44

Naked Festival

This can’t last forever
KEN STRAITON Issue 53, Just Deeds

This can’t last forever

Interaction
YASU SUZUKA Issue 59

Interaction

Tokyo Nobody
NAKANO MASATAKA Issue 55 Streets

Tokyo Nobody

The things we’ve gone through together
GAIL GUTRADT Issue 68

The things we’ve gone through together

A short history of Kyoto
TOMAS SVAB Issue 70

A short history of Kyoto

The Age of this Place Gives a Cloak of Tenderness
MICAH GAMPEL Issue 70

The Age of this Place Gives a Cloak of Tenderness

Kajita Shinsho: The Path to Honen-In.
MATTHIAS LEY Issue 70

Kajita Shinsho: The Path to Honen-In.

Nishikawa Senrei, Nihonbuyo Dancer.
MATTHIAS LEY Issue 70

Nishikawa Senrei, Nihonbuyo Dancer.

The Kobayashis.
JOHN EINARSEN Issue 70

The Kobayashis.

Biodiversity
WAYNE LEVINE Issue 75 Biodiversity

Biodiversity

Rice Enso photograms
ED HECKERMAN Issue 83 Food

Rice Enso photograms

Hearing their voices
LANA ŠLEZIĆ Issue 76

Hearing their voices

Border
YOSHIDA SHIGERU Issue 90

Border

A Life Dedicated to Art
ROBERT VAN KOESVELD Issue 92 Devotion

A Life Dedicated to Art

Beauty and Power—A Remembrance of Jacqueline Hassink in Kyoto
LANE DIKO Issue 94

Beauty and Power—A Remembrance of Jacqueline Hassink in Kyoto

Chasing the dragon
WILLIAM COREY Issue 94 inspired by Kyoto

Chasing the dragon

Reenactment of Toyotomi Hideyoshi’s procession to meet the emperor in 1956, Jidai Matsuri
TOMAS SVAB Issue 94

Reenactment of Toyotomi Hideyoshi’s procession to meet the emperor in 1956, Jidai Matsuri

Empty Kyoto
DANIEL SOFER Issue 98

Empty Kyoto

OYAKO
BRUCE OSBORN Issue 97, Next Generations

OYAKO

Documenting Minamata with Eugene Smith
AILEEN MIOKO SMITH Issue 99

Documenting Minamata with Eugene Smith

The Jesup North Pacific Expedition
THE AMERICAN MUSEUM OF NATURAL HISTORY LIBRARY Issue 108, Fluidity

The Jesup North Pacific Expedition

The Light in Kyoto
Pico Iyer Issue 108

The Light in Kyoto

Miksang
JOHN EINARSEN Issue 109 Sharing Visions

Miksang

jaJA