Can you make more artwork with rice?

Following the earthquake and tsunami of March 11th, 2011, a letter arrived in photo-artist Ed Heckerman’s inbox from a young Japanese friend, Murakami Iwauko, asking a favor: “Can you make more artwork with rice?” Following the collapse of the Fukushima reactor, many feared their rice, a daily staple, may have been irradiated. Rice is a foundation of Japanese culture, and this was a time of great fear and uncertainty.

Believing rice to be a highly symbolic subject in this context, Murakami asked eight friends to send rice to Heckerman from various locations in Japan—Niigata, Ibaraki, Akita, Fukushima, Aomori, Hokkaidō, Miyagi, and Chiba. After some rumination, the enso (the Zen circle) presented itself to the artist. Often painted with ink and brush, it is a symbol of pure potential, signifying neither negation nor affirmation. 

Upper left, clockwise: Fukushima Koshihikari, Niigata Koshihikari, Gifu unidentified, Unidentified

Heckerman set about making enso photograms with the rice. He poured it from a bamboo incense container onto light-sensitive paper. Each circle was composed in a clockwise direction, the way Buddhist devotees circumambulate a stupa. The process became a kind of ritual as he recited the 100-syllable Vajrasattva mantra throughout each day-long printing session. He did this for four days and made 50 prints. It was his prayer to Japan.

These rice enso photograms appeared in KJ 83, a special issue on food.

ABOUT ED HECKERMAN

Ed Heckerman has been deeply involved with photography for over fifty years. In 1984, he received an M.F.A. from California Institute of the Arts. As an adjunct, he taught at UCLA, Art Center College of Design, Claremont Graduate University, and California State University at Long Beach and Northridge campuses. He is emeritus professor of photography at Cerritos College where he taught from 2004 to 2024. Additionally, he has exhibited widely at humble addresses in both Switzerland and The United States.

In 2011 Ed Heckerman was invested as a lopon (teacher and ritual master) in the Dudjom Tersar school of Tibetan Buddhism. He teaches meditation and leads group practices at Yeshe Nyingpo in Santa Monica, California. Recently, he has embarked on teaching workshops in Deep Seeing: a meditative approach to photography.

instagram: @edheck613

Read the articles of the exhibition

Kyoto speaks
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The Death and Resurrection of Kyoto
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The Death and Resurrection of Kyoto

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Time

The end of imagination
SHŌMEI TŌMATSU Issue 39

The end of imagination

Naked Festival
YATŌ TAMOTSU Issue 44

Naked Festival

This can’t last forever
KEN STRAITON Issue 53, Just Deeds

This can’t last forever

Interaction
YASU SUZUKA Issue 59

Interaction

Tokyo Nobody
NAKANO MASATAKA Issue 55 Streets

Tokyo Nobody

The things we’ve gone through together
GAIL GUTRADT Issue 68

The things we’ve gone through together

A short history of Kyoto
TOMAS SVAB Issue 70

A short history of Kyoto

The Age of this Place Gives a Cloak of Tenderness
MICAH GAMPEL Issue 70

The Age of this Place Gives a Cloak of Tenderness

Kajita Shinsho: The Path to Honen-In.
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Kajita Shinsho: The Path to Honen-In.

Nishikawa Senrei, Nihonbuyo Dancer.
MATTHIAS LEY Issue 70

Nishikawa Senrei, Nihonbuyo Dancer.

The Kobayashis.
JOHN EINARSEN Issue 70

The Kobayashis.

Biodiversity
WAYNE LEVINE Issue 75 Biodiversity

Biodiversity

Rice Enso photograms
ED HECKERMAN Issue 83 Food

Rice Enso photograms

Hearing their voices
LANA ŠLEZIĆ Issue 76

Hearing their voices

Border
YOSHIDA SHIGERU Issue 90

Border

A Life Dedicated to Art
ROBERT VAN KOESVELD Issue 92 Devotion

A Life Dedicated to Art

Beauty and Power—A Remembrance of Jacqueline Hassink in Kyoto
LANE DIKO Issue 94

Beauty and Power—A Remembrance of Jacqueline Hassink in Kyoto

Chasing the dragon
WILLIAM COREY Issue 94 inspired by Kyoto

Chasing the dragon

Reenactment of Toyotomi Hideyoshi’s procession to meet the emperor in 1956, Jidai Matsuri
TOMAS SVAB Issue 94

Reenactment of Toyotomi Hideyoshi’s procession to meet the emperor in 1956, Jidai Matsuri

Empty Kyoto
DANIEL SOFER Issue 98

Empty Kyoto

OYAKO
BRUCE OSBORN Issue 97, Next Generations

OYAKO

Documenting Minamata with Eugene Smith
AILEEN MIOKO SMITH Issue 99

Documenting Minamata with Eugene Smith

The Jesup North Pacific Expedition
THE AMERICAN MUSEUM OF NATURAL HISTORY LIBRARY Issue 108, Fluidity

The Jesup North Pacific Expedition

The Light in Kyoto
Pico Iyer Issue 108

The Light in Kyoto

Miksang
JOHN EINARSEN Issue 109 Sharing Visions

Miksang

jaJA